Small 4to, ff. 4, 12, [xiii]-cxxii, printed in italic letter, with woodcut printer’s device on title-page and verso of last leaf, a few fine woodcut initials with an architectural theme; a very good copy in late 18th century quarter calf.
US $0 €0
First edition of Cartari’s influential and successful treatise on the mythology of the ancients. Cartari concentrated on the iconography of the gods, explaining their guises and detailing their several attributes. His book was expressively written to aid artists, painters and sculptors, to understand and chose subject matters (see the publisher’s preface, f. 3). The book was an immense success, it went through numerous editions, some illustrated, and was translated into many languages, including English in 1599. It became the iconographic handbook of painters throughout Europe for the next 250 years.
You may also be interested in...
UNRECORDED GARTSIDE, Mary.
Proposal for publishing by subscription a work to be entitles Ornamental Groups, descriptive of flowers, birds, shells, fruit, insects, &c. and illustrative of a new theory of colouring. From designs and paintings by M. Gartside. The whole engraved and coloured under her immediate inspection.
Unrecorded broadside prospectus for Mary Gartside’s important work Ornamental Groups, published between 1808 and 1811, which shows her colour theory applied to watercolour painting. The prospectus has twenty lines of text detailing the proposed work.
L’érotisme dans l’art contemporain. Introduction par André Salmon.
First edition. A fine collection of subtly erotic plates, including contributions from Picasso, Cocteau, and Pascin, embracing a wealth of artistic styles. The plates are accompanied by an introduction by the French art critic André Salmon, who discusses the artistic response to the concept of Eroticism.