Music

Contact Alex Day or Donovan Rees

We stock a range of antiquarian music, books on music, manuscripts and autographs, with an emphasis on early printed editions and manuscript scores of important composers.

Recent catalogues have included one of a very few surviving lifetime manuscripts of Scarlatti's harpsichord sonatas; a remarkable collection of vocal and instrumental music from the library of the duchesse de Berry; and inscribed first editions of works by Berg, Janacek, Poulenc, Rimsky-Korsakov, Schumann, Shostakovich, Stravinsky and Vaughan Williams.
  1. VERHEYEN, Pierre Emmanuel.

    Requiem mass in C minor.

    [Flanders, c. 1810.]

    A very grand unpublished Requiem mass by the Flemish composer and singer Pierre Emmanuel Verheyen (1750–1819).

    £6000

  2. [VOGEL, Johann Christoph.]

    Démophon.

    [France (probably Paris), c. 1787].

    A contemporary scribal manuscript of Johann Christoph Vogel’s opera Démophon, from the library of Christoph Willibald Gluck.

    £5250

  3. WAPPEROM, Jacobus Joannes. 

    Gezangen door J.J. Wapperom. 

    The Hague, 1805. 

    Very rare collection of songs by the Dutch notary and poet Wapperom (1763–1822), one of only a small number of copies produced, decorated by the author himself and distributed among his friends and family. 

    £675

  4. WILSON, David (editor).

    A Collection of Psalm and Hymn Tunes, &c. in three Parts … 

    [Edinburgh:] Sold by the Editor at his House … and by J. Hamilton, Music Seller … [c.1800?].

    Second(?), expanded edition of this collection of (mostly) hymn tunes scored for treble, tenor, and bass. Though for most hymns the tunes only are printed, there are words for Cowper’s ‘Hark, my Soul!’ and one other, and at the end are the words and tunes for seven secular catches (in three...

    £500

  5. ZARLINO, Gioseffo.

    Le Istitutioni harmoniche … nelle quali; oltra le materie appartenenti alla musica; si trovano dichiarati...

    Venice, [Pietro da Fino], 1558.

    First edition, rare, of ‘arguably the most important and influential book in the history of music theory … [It] opened the way for the new tonality which has governed music from the seventeenth century to the present day’ (PMM).

    £15000