Probably France, early 13th century.
US $1243 €1126
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with neumes, containing music for Holy Saturday and Easter Sunday; a complete leaf written in dark brown ink in a good early gothic bookhand, 14 lines, ruled in ink, neumes on four-line staves ruled in dark brown ink (red marking the C-clef), capitals touched in red, small initials in red, rubrics, two large initials ‘V’ ('Vespere autem sabbati') and ‘A’ ('Angelus domini descendit') in red with elaborately entwined leafy tendrils; rather soiled and slightly rubbed from use in a binding, the recto very worn, but the verso mostly clear and legible. 290 x 200 mm (written space 260 x 170 mm)
From a well-written Antiphonal with elaborate penwork initials.
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GERMANY – NUREMBERG.
Manuscript letter, in Latin, from the Abbot of St. Aegidius, Nuremberg, complaining about the actions of the bishop of Bamberg; a single paper leaf written in a cursive script with much abbreviation, 55 lines; sometime folded, some light spotting, but in very good condition. (326 x 217 mm)
St. Aegidius fell under the ecclesiastical jurisdiction of the archbishopric of Bamberg, and the letter is a somewhat exasperated account of the archbishop’s efforts to extract taxation from the monastery (on account of its imperial ‘regalia’) and the abbot’s refusal to allow any such thing. Heinrich Groß von Trockau, Prince-Archbishop of Bamberg (1487–1501), ‘an energetic organizer [who] issued a number of laws’ (Catholic Encyclopedia), is the most likely candidate for the archbishop. The bishop’s magister curie, one ‘Dytz von Taugen’ is mentioned in the letter, as is one ‘Wolfgang Krel’.
in French and Latin, with readings from the Gospel of John, the Book of Wisdom, and Ephesians; a partial bifolium (leaves not consecutive), double columns of 30 lines written in a good formal gothic bookhand in brown ink, ruled lightly with ink, five two-line initials delicately painted in pink or blue against burnished gold grounds and with ivyleaf extensions, ten one-line initials in burnished gold against pink and blue grounds, capitals touched in yellow, Latin passages underlined in red, original numbering in red at head of each leaf ‘xii. xix.’ and ‘xiii. iiii.’, rubrics; trimmed at foot, without loss of text, and at fore-margins, occasionally affecting a letter or two, but in excellent condition. 202 x 141 mm (172 x 120 mm)
The use of French indicates that the parent manuscript was intended for a lay reader or audience, while the quality of the script and illumination points to a prestigious commission. The passages in French are each preceded by the first few words of the original Latin text, underlined in red.