8vo., pp. , 264; some pen trials to title page, damp-staining to upper left corner throughout; otherwise a good copy in nineteenth-century half red morocco and marbled boards; marbled endpapers.
US $1190 €959
First edition of Baron’s last literary endeavour, a violent revenge tragedy influenced by Jonson’s Catiline, mostly in verse, packed with political intrigue, murders ‘and Seraglio’s too’, all fitting subjects for its exotic setting. Not intended for performance, which been impossible during the Commonwealth, it was meant instead to be ‘read and carefully digested’ and is, ‘by the standards of its day, an exceptionally long and elaborate play’ (Birchwood, Staging Islam in England).
Mirza is a virtuous prince whose father, the murderous King Abbas, attempts to assassinate him but relents just as Mirza is being throttled. Alive, but in the palace dungeons, Mirza plots his revenge. Discovering that his daughter, Fatima, is now the favourite of her grandfather Abbas’s immense seraglio, Mirza calls her to his cell and strangles her. After Mirza takes his own life, the grieving Abbas relents of his wickedness before dying.
Besides its colourfully incestuous and bloodthirsty plot, Mirza is notable for the author’s claims to historical authenticity: it is a tragedy ‘really acted in Persia’ – its source being the letters written from Persia by the diplomat Dodmore Cotton, also the source for John Denham’s similar tragedy, The Sophy (1641). The historical ‘truth’ of the play is supported by over two hundred pages of annotations, by which Baron offers the ‘Key to Every Lock’.
‘It has been stated that, on account of the dedication [in verse, addressed to ‘His Majestie’, i.e. Charles I], this piece must have been published before 1649, but as it was not entered in the Stationers’ Register until 1655, and as the Thomason copy is dated 5th May , that is doubtless the date of publication’ (Pforzheimer).
Pforzheimer 43; Birchwood, p. 74; Greg, II, 744.
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First separate illustrated edition. The plates, newly engraved, are based on plates in A Volume of Plays [by Sheridan and others] performed at the Theatre, Smoke-Alley, Dublin, 1785 and following. They illustrate Act IV, Scene 1 (the Surface family portraits) and Act IV, Scene 2 (the screen scene). The London cast-list here prints ‘Sir Toby Bumber’ correctly; a variant reads ‘Sir Harry Bumber’.
THE ENGLISH: BEAUTIFUL BUT FLIGHTY GÉNIE ANGLOIS (LE),
ou histoire abrégée des revolutions fréquentes de la Grande-Bretagne; par un esprit desintéressé.
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