8vo (222 x 135mm), pp. x, 436; one folding engraved map, one folding letterpress table, and one engraved portrait of Maroto, type ornament tail pieces; very occasional faint foxing or marking; modern black quarter morocco over brown marbled boards, spine gilt, marbled endpapers, black silk marker, original printed wrappers bound in; a very good, crisp copy retaining the original wrappers and the half-title; provenance: late nineteenth-century ink inscription on upper original wrapper.
US $524 €447
First edition. A history of the first Carlist War written by a French officer who served in the Carlist army throughout the conflict, this work provides an interesting description of life in the Carlist army, as well as details of the military campaign and its leaders, Zumalacarregui and Cabrera.
The immediate subject of the war was the contested succession to the throne in Spain, and indeed the future of the Spanish monarchy. Ferdinand VII had left the throne to his very young daughter, Isabella II, thus preventing his nephew, Carlos, from acceding to a throne that he had long expected to inherit. The result was civil war. Perhaps surprisingly, both the French and British governments supported Isabella II and not Carlos. ‘Yet the Carlist War had deeper roots than were at first apparent to foreign observers. Not only in the Basque provinces, but in Spain as a whole, it was a struggle between those who clung to old traditions and those who wanted to jettison the old Spain and create a new liberal state. Carlism represented an agrarian, clerical, separatist and feudal movement, eagerly supported in rural areas where familiar ways of life were threatened by economic change; ranged against them were the urban, anti-clerical, centralising and commercial liberals, with whom the Queen Regent had to form an uneasy alliance for the prosecution of the war. Don Carlos’s claim to the throne was the starting-point of the long conflict between traditionalism and liberalism in Spain’ (Holt, The Carlist Wars in Spain, p. 45).
A note on the verso of the half-title explains that the work was sold for the benefit of the soldiers of Carlos’ army who had taken refuge in France.
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