Eight vols. 8vo and one vol. (with lithographed signatures) 4to, with a magnificent, long (c. 170 mm), two-section hand-coloured folding engraved plate ‘Section across Europe from the North of Scotland to the Adriatic’ as frontispiece to Vol. I, numerous engraved plates, maps, etc., in succeeding vols.; occasional foxing, but a fine set in contemporary half calf for the Geological Society of Cornwall (lettering piece at foot of spines), atlas vol. in a modern binding to match.
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Report of the First [-Eighth] Meetings.
‘The principal effort in the initial organisation of the British Association came from Edinburgh and the provincial scientific societies. Babbage himself was prevented from attending the first meeting in York by pressing work ... However his central position was acknowledges when he was appointed one of the three trustees, the only permanent officials of the Association’ (Hyman, Charles Babbage p. 150). The Association funded some research, albeit in a small way, and made representations to government on matters of scientific interest, and ‘such functions were useful in the 1830s when the Royal Society was at a low ebb’ (ibid., p. 151).
‘In a direct and literal sense, The British Association made science visible’ (Morrell and Thackray, Gentlemen of Science, 1981, p. 96).
There are papers by Babbage, Brewster, Airy, Lubbock, Whewell, etc., etc.
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A satirical Poem. In which are contain’d the humorous Transactions, Speeches, and Behaviour of the Guests who were present at the Ceremony and Entertainment …
First edition of an amusing verse satire on a famous court scandal. In 1732 Anne Vane, mistress of Frederick, Prince of Wales, gave birth to a son. The child, Cornwall Fitz-Frederick, was acknowledged as his, perhaps only as an assertion of his independence from his parents, and paternity was contested by Lords Hervey and Harrington, both of whom had apparently shared Vane’s bed. Ridicule from the press followed, with comic prints and several verse and prose satires – including several depicted on the bookshelf in the frontispiece.
CHERTABLON, M. de.
La maniere de se bien preparer a la mort. Par des considerations sur la Cene, la Passion, et la Mort de Jesus-Christ, avec de très-belles estampes emblematiques.
First edition with the present text. Romeyn de Hooghe’s fine series of engravings were first printed for David de la Vigne’s Miroir de la bonne mort (Amsterdam or Antwerp, 1673). The artist was still working in 1700, but because the plates in this work are unsigned and several are reversed from the earlier versions or have other minor differences, they were most likely copied by another artist.