12mo, pp. ; recent half cloth, the original printed wrappers bound in (a few small repairs).
US $273 €233
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Mig. Stikhi 1920–1921 g. [The Instant. Verses of 1920–1921].
First edition. The post-Revolutionary period, spanning the years shortly before his death in 1924, was one of intense poetic activity for Bryusov. Of the work from this period, ‘several poems are devoted to recent history and current events – to the Revolution, the famine years, the death of Lenin. Others are tributes to scientific modernity… The vast majority of his new poems are devoted, as before, to his self-assessments and to cultural meditations, and many are re-creations of myths. His best poems concern love and passion, his earliest subject’ (Bristol, p. 178).
Getty 106; Kilgour 165; Tarasenkov p. 71.
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[ERENBBURG, BAL’MONT, BLOK, LERMONTOV, PUSHKIN, TOLSTOY, TURGENEV, et al.]
Izbrannye stikhi russkikh poetov. Seriia sbornikov po temam. Rossiia [Selections of verse by Russian poets. A series of collections by theme. Russia].
First edition of a patriotic anthology of poems on the theme of ‘Russia’, organised chronologically from Odoevsky to Kliuev. The theme is religiously adhered to, with contributions from both dead and living authors, including, as well as those listed above, Aksakov, Bely, Soloviev, Fofanov, Sologub, Briusov, Vyacheslav Ivanov, Sasha Cherny, etc. Ehrenburg was then in exile in Paris, and the two poems by him here (written 1912-3) appear for the first time in Russia.
Inventario privato. Prefazione di Giacomo Zanga. Disegni di Alberto Casarotti.
First edition of the second published collection of poems by Elio Pagliarani (b. 1927), a member of the neo-avant-garde Gruppo 63. Pagliarani was the first of five poets to be anthologised by Alfredo Giuliani two years later in his important anthology I novissimi (1961), which in many ways can be seen as the launch of the Italian neo-avant-garde.