Small folio, ff. ; tiny stain at foot of first two leaves, but an excellent copy, in brown morocco by Zaehnsdorf, title stamped in gilt on upper cover, top edges gilt, some others untrimmed.
US $292 €260
Added to your basket:
Parthenia or the maydenhead of the first musicke that ever was printed for the virginalls.
Facsimile reprint of the original edition of c. 1612/13, handsomely bound by Zaehnsdorf. At the end is a short introduction to the work by the great Austrian musicologist and bibliographer Otto Erich Deutsch.
You may also be interested in...
[SOCIETY OF ARTISTS.]
A Catalogue of the Pictures, Sculptures, Models, Designs in Architecture, Drawings, Prints, &c. Exhibited by the Society of Artists of Great-Britain, at their New Room, near Exeter-Exchange, Strand. April the twenty-fifth, 1774, the fifteenth Year of exhibiting …
First edition of the Catalogue for the selling exhibition of 1774. The Society of Artists emerged in 1760 as a loose association of artists, including Joshua Reynolds and Francis Hayman, who wanted greater control over exhibitions of their work than they experienced under William Shipley’s Society of Arts (est. 1754). They held an alternative exhibition in London, May 1761, and in 1765 obtained a Royal Charter as the ‘Incorporated Society of Artists of Great Britain’. By 1774, however, the leading artists had joined the more prestigious Royal Academy, founded in 1769, although there are still examples here of paintings contributed by George Stubbs (‘A portrait of a horse’) and Joseph Wright of Derby (his celebrated ‘The old man and death’).
JOURNEY TO EMMAUS (A).
A sacred Dialogue ...
First edition, dedicated to Frederick, Prince of Wales, as Chancellor of Trinity College. This is the story from the Gospel of Luke that tells how, after the Resurrection, Jesus appeared two of his followers who were walking from Jerusalem to Emmaus. It takes the form of a dialogue between Cleopas and Matthias, lamenting (‘Like Sheep when scatter’d o’er some dreary plain, / Their folds laid desolate, their Shepherd slain, / To the wide World poor helpless We are left, / Of Friends, of all that’s dear bereft ...’). They encounter Emanuel, who asks ‘Why walk ye thus disconsolate’, but they do not recognise Him. (‘O fools, O Slow of heart to understand’). Nonetheless they beg him to eat with them: ‘Emanuel thus by kind Entreaties prest / The cottage enters: When their mighty Guest, / Yet unreveal’d, they at their humble Board / Had plac’d, in breaking Bread they knew their Lord; / And as they kneel’d, all trembling with Delight, / Worship to pay, He vanish’d from their Sight’.