Folio, pp. 12, with an engraved frontispiece (‘The Court Gossops’ (sic.)), bound in error at the end; a little dusty, pale damp stain in top outer corner, else a good copy, disbound.
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A satirical Poem. In which are contain’d the humorous Transactions, Speeches, and Behaviour of the Guests who were present at the Ceremony and Entertainment …
First edition of an amusing verse satire on a famous court scandal. In 1732 Anne Vane, mistress of Frederick, Prince of Wales, gave birth to a son. The child, Cornwall Fitz-Frederick, was acknowledged as his, perhaps only as an assertion of his independence from his parents, and paternity was contested by Lords Hervey and Harrington, both of whom had apparently shared Vane’s bed. Ridicule from the press followed, with comic prints and several verse and prose satires – including several depicted on the bookshelf in the frontispiece.
Here, the boy’s christening provides the author with the opportunity to assemble a cast of scandalous courtly types and satirise their greed and loose sexual morals: ‘Among the guests, mirth, Burgundy, Champeign / And smutty jests alternately do reign’.
Frederick broke off his relationship with Vane in 1735 and, suffering from ‘cholics, loss of appetite, and general decay’, she moved to Bath where both she and the child died the next year, an unhappy end alluded to by Samuel Johnson in The Vanity of Human Wishes (1749), when ‘Vane could tell what ills from beauty spring.’
The striking frontispiece depicts Vane and the Prince of Wales seated on a canopied bed in a large room. Around them, courtiers drink, wield fans, and engage in intrigue. There is a bookcase on the left of the room filled with racy titles such as Ovid’s The Art of Love and Rochester’s Poems. After ‘The Christening’ is a second satirical poem, on the benefits of abandoning sexual morals in order to achieve preferment: ‘The Happy Exchange, or a Maidenhead well dispos’d of.’
Scarce. ESTC lists eleven copies, at least three missing the frontispiece.
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ON RICHMOND HILL BELVIDERE (The):
a Poem. Inscrib’d to Joseph Grove, Esq. of Richmond, in the County of Surrey …
First edition, rare (British Library and Yale only) of a very attractive description in verse of a country estate in Richmond. The first pages offer a prospect of the garden with its flowers and shrubs, shaded walks and arbours, a bower with the escutcheon over the door of the late Sir William Humble, Bart. (d.1724, presumably a previous owner), statues and ornaments, a wilderness, orchards, and a summer house. Footnotes explain in prose some of these features –
CHERTABLON, M. de.
La maniere de se bien preparer a la mort. Par des considerations sur la Cene, la Passion, et la Mort de Jesus-Christ, avec de très-belles estampes emblematiques.
First edition with the present text. Romeyn de Hooghe’s fine series of engravings were first printed for David de la Vigne’s Miroir de la bonne mort (Amsterdam or Antwerp, 1673). The artist was still working in 1700, but because the plates in this work are unsigned and several are reversed from the earlier versions or have other minor differences, they were most likely copied by another artist.