Folio, pp. 12, with an engraved frontispiece (‘The Court Gossops’ (sic.)), bound in error at the end; a little dusty, pale damp stain in top outer corner, else a good copy, disbound.
US $2810 €2282
First edition of an amusing verse satire on a famous court scandal. In 1732 Anne Vane, mistress of Frederick, Prince of Wales, gave birth to a son. The child, Cornwall Fitz-Frederick, was acknowledged as his, perhaps only as an assertion of his independence from his parents, and paternity was contested by Lords Hervey and Harrington, both of whom had apparently shared Vane’s bed. Ridicule from the press followed, with comic prints and several verse and prose satires – including several depicted on the bookshelf in the frontispiece.
Here, the boy’s christening provides the author with the opportunity to assemble a cast of scandalous courtly types and satirise their greed and loose sexual morals: ‘Among the guests, mirth, Burgundy, Champeign / And smutty jests alternately do reign’.
Frederick broke off his relationship with Vane in 1735 and, suffering from ‘cholics, loss of appetite, and general decay’, she moved to Bath where both she and the child died the next year, an unhappy end alluded to by Samuel Johnson in The Vanity of Human Wishes (1749), when ‘Vane could tell what ills from beauty spring.’
The striking frontispiece depicts Vane and the Prince of Wales seated on a canopied bed in a large room. Around them, courtiers drink, wield fans, and engage in intrigue. There is a bookcase on the left of the room filled with racy titles such as Ovid’s The Art of Love and Rochester’s Poems. After ‘The Christening’ is a second satirical poem, on the benefits of abandoning sexual morals in order to achieve preferment: ‘The Happy Exchange, or a Maidenhead well dispos’d of.’
Scarce. ESTC lists eleven copies, at least three missing the frontispiece.
You may also be interested in...
‘CELESTIAL SCENERY, ELEGIES, TALES’ BY A BERMONDSEY RHYMESTER HOGG, John.
Autograph poetical manuscript, apparently unpublished, comprising a preface dated 3 April 1825 and some forty long poems.
A fascinating volume of manuscript verse by an otherwise unknown poetaster, probably based in Southwark. In his grandiloquent Preface, Hogg explains that his poems are designed to excite in the reader the pleasurable contemplation of heaven, via ‘the Study of Nature’ and of our souls. ‘Celestial Scenery, Elegies, Tales, &c will be found in this little work!’
Castara … the third Edition. Corrected and augmented.
First complete edition. The first two parts were published in 1634 and 1635-6. The third part (pp. 167-228) appears here for the first time, and turns from love to religious reflection. Where the first two parts had expressed their dominant themes (courtship and married love) with the prose characters of ‘A Mistris’ and ‘A Wife’, the third part opens with ‘A Holy Man’. It contains his ‘best and most mature writing’ (Alott), including a sequence of 22 devotional poems.