8vo, pp. 40, [2 (colophon and blank)]; engraving to title, 5 engravings within text, cockerel in gilt below colophon; colophon signed ‘Enid Clay’ and ‘Eric G’; a very good, uncut and partly unopened copy in original quarter cloth over green paper boards, printed paper spine label; a few faint ink marks to upper cover.
US $303 €274
Added to your basket:
The constant mistress ... with engravings by Eric Gill.
No. 174 of a limited edition of 300 copies. Enid Clay was Eric Gill’s sister; he also provided engravings for her Sonnets and Verses (1925). Gill’s collaboration with the Golden Cockerel Press was enormously successful: ‘For a while the Golden Cockerel was Eric Gill’ (Fiona MacCarthy, Eric Gill p. 187). ‘No other wood-engraver of the period comes near to Gill’s originality and verve’ (ODNB).
You may also be interested in...
Poetick Miscellanies …
First edition. Writing from the isolation of Newcastle, then a rural parish in fell country, Rawlet developed a mode of religious and descriptive poetry distinctly out of step with his own age, as is acknowledged by the editor in a verse preface: ‘Reader, expect not here, the filth of th’ Stage, / Poems that please, but more debauch the Age.’ Rawlet’s poems, such as ‘On a great Thunder and Storm’, ‘On a Cross with a Crown upon it, in Burton, betwixt Lancashire and Kendale’, and ‘On the sight of Furness Fells’, while looking back to Herbert in their weaving of the spiritual and the physical, please more by their anticipation of the topographical and sentimental concerns of the succeeding century.
WITH CHARMING PLATES HOWITT, Samuel.
The angler’s manual; or, concise lessons of experience, which the proficient in the delightful recreation of angling will not despise, and the learner will find the advantage of practising ... Embellished with twelve plates, of fish, fishing, baits, and tackle, designed and etched by S. Howitt.
First edition of this angling classic, with excellent plates by the painter and etcher Howitt (1756/7-1823), depicting a variety of fish, as well as charming scenes of minnow-, fly-, pike- and float-fishing. A keen sportsman, hunter, rider and angler, Howitt became a professional artist when financial difficulties forced him to earn a living, exhibiting at the Royal Academy and illustrating many sporting and zoological books. His early work was influenced by his brother-in-law Thomas Rowlandson but he soon developed his own style, capturing rural sport with great fluidity and excitement.