8vo, pp. , 87, [1, imprimatur]; with preliminary blank; publisher’s device to title-page, woodcut head- and tail-pieces; some ink blots to one leaf, but a fine, crisp copy in contemporary quarter calf over paper boards, vellum tips, spine with brown morocco label, gilt, rubbed with some loss to spine; imprint underlined in red crayon, notations in the same crayon to cast list; contemporary ownership inscription in ink to title-page.
US $154 €139
Added to your basket:
Tom Jones a Londres, Comédie en cinq actes et en vers, tirée du roman de Fielding … Réprésentée, pour la première fois, par les Comédiens Italiens ordinaires du Roi, le Mardi 22 Octob. 1782. Prix trente sols.
Later edition, first published 1782. Desforges’s dramatic adaptation of Fielding’s novel was followed in 1788 by an apparently inferior sequel, Tom Jones et Fellamar.
You may also be interested in...
KOCH, Manfred (pr.), Primo SCHLECHTEN and Feliciano SCHARRER (resp.).
Philosophia rationalis sive logica, centum assertiones comprehensa et publica disputationi in celeberrimo & antiquissimo Collegio Can. Reg. S. August. Congregat. Lateranensis ad Beatiss. Virg. Mariam in Rottenbuech. ...
A good copy of this rare dissertation from the Augustinian college at Rottenbuch in Bavaria, attempting to reduce logic (the science of reasoning) to one hundred numbered paragraphs. Describing the function and limits of logic, the authors, both Austin canons at Rottenbuch, explain the use of syllogisms, the relationship of logic to epistemology, the theory of universals, necessity and contingency, and more.
MURDER IN THE SERAGLIO BARON, Robert.
Mirza. A Tragedie, really acted in Persia, in the last Age. Illustrated with historicall Annotations.
First edition of Baron’s last literary endeavour, a violent revenge tragedy influenced by Jonson’s Catiline, mostly in verse, packed with political intrigue, murders ‘and Seraglio’s too’, all fitting subjects for its exotic setting. Not intended for performance, which been impossible during the Commonwealth, it was meant instead to be ‘read and carefully digested’ and is, ‘by the standards of its day, an exceptionally long and elaborate play’ (Birchwood, Staging Islam in England).