Oblong 4to (24 x 30 cm), 80 leaves of thick paper with the designs in pen, ink and watercolour; most design leaves followed by a further sheet of writing paper with contemporary mss. text giving information on the designs; some drawings with loss at extremities but overall in very good condition; bound in green reversed calf backed contemporary paste boards, with paper label to front cover boldly lettered ‘album de meubles’, dirty and scuffed.
US $13296 €10774
A fascinating album of original furniture designs in the Empire and Restoration styles, assembled for use as a trade catalogue, with all designs numbered in pencil and most described on the interleaved sheets (with designs numbered in ink). The furniture designs are all highly finished showing different woods and decorations; there are two round tables in lacquer, one with intricate Chinese design. The catalogue was assembled with some care. A curious feature of it is that some designs seem to be composite; whereby the legs were drawn directly on the paper but the top (writing desk, occasional table etc.) were drawn on a different sheet and then pasted on. The same can be observed with some additional features whereby the standard furniture was available with various add-ons.
The album contains many designs, in a variety of timber; many of the furniture made with darker woods have inlays. It starts off with a curious assemblage of close stools (night commode), one disguised as a pile of folio sized books, and portable bidets (8 designs); then there are night tables (10); wash tables and ‘toilettes’ (12); small multi-functional tables (6); mirror tables (6); free standing mirrors (2); beds (2); side tables (10); tables which open up to reveal mirrors (6); ornate hanging shelves (6); folding tables (2); ornate boxes to contain sheet music ‘cazier de musique’ (2); music stand and folding stool (2); folding games table (2); writing desk for ladies, one in Louis XV style (3); some sort of basket stand ‘corbeilles de sac’ (3); round lacquer tables, one with Chinese design (2); small pedestal tables, some inlaid, some with marble tops (9); large pedestal tables with three or four ornate carved legs (7); single church pew kneeling furniture (6); screens (2); chairs (3), one with arms (1) and one sofa (1); writing desks (5); filing cabinets, one with standing writing desk (2); sideboards (2); wardrobes (3); and chests of drawers (3).
Amongst the drawings there is one coloured litho plate taken from Le Guide du Fabricant de Meubles dessiné e publié par M. Jansen, Paris [c. 1850]. The plate shows furniture by the cabinet maker Dutzschhold who flourished in Paris in 1836. It is possible that the designs in the album were all from his workshop.
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L’architecture des nations étrangères. Etude sur les principales constructions du parc à l’Exposition Universelle de Paris (1867)
First edition. This is a presentation copy, inscribed on the half-title to the author’s friend Charles Garnier, architect of the Paris opera house that bears his name: ‘A son ami Ch. Garnier. Souvenir affectueux A. Normand’. The two men had known each other since they were both ‘pensionnaires’ at the Academy of France in Rome in the late 1840s and early 1850s.