[cover title:] Le Photorama. Nouvel Appareil Photographique Panoramique Réversible.

[Lyon, A. Storck, 1902].

Large 8vo, pp. 10 with diagrams to the text; a sprinkle of foxing, a single vertical fold; a good copy in original printed wrappers; a few small creases and small tears to bottom of front edge.

£500

Approximately:
US $687€592

Make an enquiry

Added to your basket:
[cover title:] Le Photorama. Nouvel Appareil Photographique Panoramique Réversible.

Checkout now

Very rare first edition of the report on the Lumière brother’s Photorama, for which they had taken out the French patent on December 29, 1900. They describe the photographic apparatus with which a 360-degrree photographic panorama can be taken on a single transparency, and the projector that produces a full and continuous panorama on cylindrical screens of large dimensions.

Hecht, Pre-Cinema History 457E

You may also be interested in...

[RENNEVILLE, Sophie de (?).]

Contes a Aglaé, ou la jeune moraliste.

Very uncommon edition, possibly the first, of this collection of educational contes moraux, sometimes attributed to the prolific children’s author and journalist Sophie de Renneville (1772–1822). Aimed at children of both sexes, the book contains sixteen short contes on subjects ranging from first communion and eternal regrets to bank notes and true happiness. Some of these themes are illustrated in the attractive hand-coloured plates.

Read more

ILLUSTRATED BY THE AGENCY OF THE DAGUERREOTYPE IRVING, Washington, and Felix DARLEY (illustrator).

Rip van Winkle; a posthumous Writing of Diedrich Knickerbocker … Illustrated with six Etchings in Steel, by Charles Simms, from Drawings by Felix Darley (New York).

First English edition, rare, first published as Illustrations of Rip Van Winkle (New York, 1848) in oblong folio. For this more compact English edition the publisher and early photographic entrepreneur Joseph Cundall made an early use of photography: ‘The present illustrations have been reduced from the originals, which are much larger, by the agency of the daguerreotype, and I hope that the expression of every line has been most faithfully preserved’. Simms would most likely have traced the images that the daguerreotypes transferred to the engraved plates, though he also went on to publish photolithography.

Read more