Small 8vo., pp. , 119, 3 [errata]; library stamps and cancellation note; a very good copy in contemporary quarter leather and speckled boards (rubbed), later label.
US $852 €727
First edition of an English grammar for Swedish students. There is some contemporary annotation in the chapters on pronunciation. Some of the examples are surprisingly colloquial (‘by hook or by crook’, ‘how goes it’, ‘in the nick of time’), some archaic (‘methinks’, ‘peradventure’), and some illustrate different uses of the same word (‘at church’, ‘at that time’, ‘at our cost’). Six columns of errata testify to the compositors’ lack of English.
Carl Gustav Mannercrantz (1721-1794) taught English at Uppsala and Stockholm, and published an annotated anthology of English texts for his students in 1774 (English Miscellanies, from the best and most renowned Authors).
Alston, II, 576 lists five copies, all in Scandinavian libraries, and a photocopy at the British Library; OCLC adds only one new location; not in ESTC.
You may also be interested in...
THE FIRST DICTIONARY OF MUSIC IN ENGLISH GRASSINEAU, James.
A Musical Dictionary; being a Collection of Terms and Characters, as well ancient as modern; including the historical, theoretical, and practical Parts of Music: as also, an Explanation of some Parts of the Doctrine of the Antients; interspersed with Remarks on their Method and Practice, and curious Observations on the Phœnomena of Sound mathematically considered, as it’s [sic] Relations and Proportions constitute Intervals, and those again Concords and Discords. The whole carefully abstracted from the best Authors in the Greek, Latin, Italian, French, and English Languages
First edition, based largely on the Dictionnaire de Musique of Sébastien de Brossard and the musical articles in Chambers’s Cyclopaedia, with some original material. One of two variant issues, this has ‘A’ on the title-page above the ‘i’ in ‘Dictionary’.
BYRD, William, John BULL and Orlando GIBBONS.
Parthenia or the maydenhead of the first musicke that ever was printed for the virginalls.
Facsimile reprint of the original edition of c. 1612/13, handsomely bound by Zaehnsdorf. At the end is a short introduction to the work by the great Austrian musicologist and bibliographer Otto Erich Deutsch.