8vo, pp. , 240; plate no. 6823, lithographed title-page, engraved music; some light spotting throughout, small water-stain to upper margin towards end; contemporary ownership signature to title and discreet stamp of the Carlsbader Musikverein at regular intervals; a good copy in contemporary half roan, spine lettered gilt, a little rubbed.
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Symphonie No. 3, componirt und Ihrer Majestät der Königin Victoria von England zugeeignet … Partitur, Op. 56.
First edition of Mendelssohn’s ‘Scottish’ Symphony. It was first conceived when Mendelssohn visited Scotland during 1829, but the composer only began work in earnest ten years later.
The first performance took place in Leipzig on 3 March 1842; after its London première on 13 June Mendelssohn dedicated the work to Queen Victoria. The public reception in London was most enthusiastic with Mendelssohn receiving storms of applause not only at his own concerts but also at the concerts which he attended.
Hirsch M.287; P. W. Jones, Catalogue of the Mendelssohn Papers in the Bodleian Library, Oxford, vol. III, Tutzing, 1989, no. 784.
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SIGNED BY EDVARD AND NINA GRIEG [GRIEG, Edvard.] FINCK, Henry Theophilus.
First edition of Finck’s biography of Grieg, inscribed by both Edvard and Nina Grieg on the front free endpaper and dated (in Nina Grieg’s hand) ‘London 25-5-06’. Beneath these inscriptions is a note by the book’s publisher John Lane: ‘The above autographs were written by my desire in my house. This volume is now presented to Dr. L. Ash by John Lane’.
THE FIRST DICTIONARY OF MUSIC IN ENGLISH GRASSINEAU, James.
A Musical Dictionary; being a Collection of Terms and Characters, as well ancient as modern; including the historical, theoretical, and practical Parts of Music: as also, an Explanation of some Parts of the Doctrine of the Antients; interspersed with Remarks on their Method and Practice, and curious Observations on the Phœnomena of Sound mathematically considered, as it’s [sic] Relations and Proportions constitute Intervals, and those again Concords and Discords. The whole carefully abstracted from the best Authors in the Greek, Latin, Italian, French, and English Languages
First edition, based largely on the Dictionnaire de Musique of Sébastien de Brossard and the musical articles in Chambers’s Cyclopaedia, with some original material. One of two variant issues, this has ‘A’ on the title-page above the ‘i’ in ‘Dictionary’.