Folio, pp. , xvi, -47, 56-417, , with a frontispiece and 35 engraved plates by numerous artists (a couple slightly foxed, one with a ink blot); final leaf of subscribers; a good copy in modern half morocco, old calf spine laid down; a subscriber’s copy, signed ‘Thomas Weston’ on the title-page and frontispiece, and dated May 1784.
US $1246 €1062
First edition thus, rare, published in 36 weekly parts, each originally accompanied with an illustration, and now correctly bound according to the complicated ‘Directions to the Binder’ at the end. Wright’s exhaustive compilation, with notes and commentary on each page, assembled calendars, the book of common prayer, the psalms, forms of prayer, constitutions and canons, and two versions of the metrical psalms (Sternold and Hopkins, and Tate and Brady) … The illustrations were equally copious.
ESTC shows six copies: BL, Canterbury Cathedral (wanting subscriber’s list), Queen’s College Oxford, Bodley, University of London: and Huntington.
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MARINI, Giovanni Ambrogio.
The Desperadoes; an heroick History. Translated from the Italian of the celebrated Marini (the Original having passed ten Editions.) Containing a Series of the most surprizing Adventures of the Princes Formidaur and Florian … In four Books. Embellish’d with eight excellent Copper-Plates.
First and only edition in English of Le gare de’ disperati (1644), the second of three romances by Marini (1596-1668). Inevitably, ‘It was necessary to omit many Things that were contrary to our Morals; to Decency, and to the Purity of the English Tongue …’. But the general scheme of events is the same as the original, and is outlined on the title-page: ‘A Series of the most surprizing Adventures of the Princes Formidaur and Florian; the former being in love with Zelinda, whom he takes to be his own Sister; and the latter having married Fidalme, who he supposes to be his father’s Daughter by a second Wife, and afterwards kills in Disguise in single Combat. With a Relation of the various amazing Accidents, and Misfortunes, which happen thereon, until the Whole concludes with making them all happy, by a most extraordinary and uncommon Revolution.’
Inventario privato. Prefazione di Giacomo Zanga. Disegni di Alberto Casarotti.
First edition of the second published collection of poems by Elio Pagliarani (b. 1927), a member of the neo-avant-garde Gruppo 63. Pagliarani was the first of five poets to be anthologised by Alfredo Giuliani two years later in his important anthology I novissimi (1961), which in many ways can be seen as the launch of the Italian neo-avant-garde.