8vo., pp. , 89, , with the engraved frontispiece by Vandergucht; a very good, fresh copy in contemporary speckled sheep, joints rubbed; 19th-century Hopetoun bookplate, overlaying that of James Johnstone, Marquess of Annandale.
US $562 €457
First edition, first issue, on fine (but not large) paper. Though Williams suggests that ordinary paper copies belong to a first issue, and fine paper copies to a corrected second issue, both Hayward and Rothschild concur that both paper sizes exist in corrected and uncorrected states. The present copy has all the errors noted by Williams uncorrected as well the other features he associates with the first issue: the catchword ‘when’ on p. 68, p. 74 correctly numbered, and the asterisks at the foot of pp. 45 and 46.
Foxon P 237; Rothschild 1535; Hayward 143; see Williams, Points in Eighteenth-Century Verse, pp. 92-3.
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JOURNEY TO EMMAUS (A).
A sacred Dialogue ...
First edition, dedicated to Frederick, Prince of Wales, as Chancellor of Trinity College. This is the story from the Gospel of Luke that tells how, after the Resurrection, Jesus appeared two of his followers who were walking from Jerusalem to Emmaus. It takes the form of a dialogue between Cleopas and Matthias, lamenting (‘Like Sheep when scatter’d o’er some dreary plain, / Their folds laid desolate, their Shepherd slain, / To the wide World poor helpless We are left, / Of Friends, of all that’s dear bereft ...’). They encounter Emanuel, who asks ‘Why walk ye thus disconsolate’, but they do not recognise Him. (‘O fools, O Slow of heart to understand’). Nonetheless they beg him to eat with them: ‘Emanuel thus by kind Entreaties prest / The cottage enters: When their mighty Guest, / Yet unreveal’d, they at their humble Board / Had plac’d, in breaking Bread they knew their Lord; / And as they kneel’d, all trembling with Delight, / Worship to pay, He vanish’d from their Sight’.
Poems on several Occasions.
First authorised edition, preceded by Curll’s pirated collection of 1707. In the preface Prior complains that in Curll’s edition poems by other authors have been misattributed to him and that some of his own poems are ‘transcribed … so imperfectly, that I hardly knew them to be mine’. He divides the poems here into four categories, ‘Public Panegyrics’, ‘Amorous Odes’, ‘Idle Tales’, and ‘Serious Reflections’, but ‘some of its most famous poems (Henry and Emma, An English Padlock, and Jinny the Just) do not easily fit into any one of these categories’ (Oxford DNB).