4to., pp. , 163, [1, blank]; a very good copy in nineteenth-century half calf with marbled boards, spine gilt, rubbed; joints cracked; cords sound, some insect damage to rear cover; bookplate sometime removed from front pastedown; ownership inscription of Robert Southey to title page dated ‘Keswick 1820’, and 11-line note in his hand to front flyleaf; sold at the sale of his library, Sotheby’s 18th May 1844, lot 2340, £1 11s; with a note by the purchaser; contemporary ownership inscription of John Mason to final blank page.
US $5304 €4296
First edition, from the library of Robert Southey, with an ownership inscription an eleven-line note in his distinctive diminutive hand.
Pocklington’s high church, altar-wise polemic, a rebuff of his former patron, the troublesome bishop John Williams, served him well in the short term: ‘It is significant that [in June 1637] he was sworn a chaplain-in-ordinary to the king’ (ODNB). However, with the advent of the Short Parliament in 1640 the same book got its author into difficulty. Southey notes: ‘For writing this book, and another entitled “Sunday no Sabbath” , Dr Pocklington was deprived of all his living, dignities and preferments, disabled from ever holding any place or dignity in Church or Commonwealth, and prohibited from ever coming within the verge of the King’s Courts. And the book was ordered to be burnt by the hangman.’ It is, though, ‘remarkably free from the ill spirit of the times in which it was written’. Possibly the poet was thinking of the political insecurities of his own age and position; indeed he expresses a good deal of sympathy and admiration for this fellow courtier, who found himself at the wrong end of what Southey calls an ‘abominable tyranny’.
The work was read by Southey as part of his research for The Book of the Church, in which Pocklington is mentioned in volume II, a passage echoing the note here. Though Southey was a prodigious reader he rarely annotated his books; in the 1844 sale comprising almost four thousand books, fewer than one hundred feature annotations in his hand.
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