Folio, ff. [vi], 68, , wanting the final blank leaf; woodcut border to title, woodcut initials; lightly browned, small paper repairs to upper corner of title leaf and to margins of last four leaves, some marginal dampstaining at end, two small wormholes to head margin; else a good copy in modern quarter calf over cloth boards, gilt lettering to spine, edges red; dedication to verso of title crossed through in ink.
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De rebus a Iudaeoru[m] principibus in obsidione fortiter gestis, deq[ue] excidio Hierosolymorum, aliarumq[ue] ciuitatum adice[n]tium, libri V diuo Ambrosio Mediolanensi episcopo interprete. Eiusdem Anacephaleosis fini operis adiecta est.
An early edition of this popular Latin account of the Jewish War of 66-73 AD, with a dedication by Philipp Melanchthon. The text borrows heavily from the Jewish War and Jewish Antiquities of the first-century Jewish historian Josephus, and is attributed in extant manuscripts either to Hegesippus – a possible corruption of Iosippus – or to Ambrose of Milan. Its composition is usually dated to the late fourth century: book 2 contains an allusion to the conquest of Britain by Theodosius c. 370 AD. The text is followed by the Pseudo-Ambrosian work Anacephaleosis, a Carolingian treatise on the destruction of Jerusalem, and the volume ends with tables of concordance between Hegesippus and Josephus’s works.
The first edition, edited by Lefèvre d’Étaples and Michael Humelberg, was printed in Paris by Josse Badius in 1510. Its success was immediate and reprints appeared in quick succession in France, Italy and Germany. This Gennepaeus edition was the third to appear in Cologne, following those of Cervicornus (1525) and Soter (1530). The title-page border, featuring the death of Cleopatra, is by Hans Holbein (see A.F. Johnson, Selected essays on books and printing p. 224-5).
Adams H149; VD16 H1255. Not in BM STC German. COPAC records copies at Cambridge, Oxford, UCL, and Lambeth. Only one copy in the US is recorded on Worldcat (Yale).
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Cerimonie piu’ notabili della messa privata; Cavate dalle rubriche del Missale, ed altri autori da un Sacerdote D.C.D.M. Coll’aggiunta di quelle della messa, e vespri solenni si pei vivi, che pei defunti, col modo di servire alla messa privata. Da un’Alunno del Seminario di Torino.
As far as we are aware unrecorded edition of this uncommon treatise on the celebration of the mass and its associated rituals. Dealing both with private (low) masses and with solemn mass and solemn vespers, the work explains the meaning and performance of the non-verbal aspects of the liturgy: genuflection, the sign of the cross, the communion of the faithful, the movements of the celebrant’s hands, the role of acolytes and thurifers (also during requiem masses), the office of the subdeacon and deacon, the use of incense, and instructions for serving at the missa private. The woodcut on page 200 depicts the altar, annotated with numbers referring to the relevant parts of the text.
The text itself appears first to have been published around the turn of the century; the earliest issue in SBN is a Naples printing of 1701, but that claims to be ‘novamente riviste, ed accresciute’, and is only of 134 pages in 12s. Other editions appeared in Pavia, Turin, and Modena, while Venetian printings were issued in 1739 and 1750. All seem very scarce.
Not in OCLC, which records only a Venice printing of the same year (in the Polish Union Catalogue); SBN does not record this edition.
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De Cervo Volante et eius Hybernaculo.
First and only edition of the earliest monograph on the stag beetle. The fine plate shows the insect in all its glory, also his winter quarters in the trunk of an oak tree.