4to, pp. , 39, , printed in Dutch and Latin on facing pages, with 1 folding engraved plate; a very good copy, printed on thick paper, bound in recent marbled wrapper with printed label to front cover.
US $944 €765
First and only edition of Boddaert’s description of the freshwater Southeast Asian softshell turtle found in the Schlosser natural history cabinet. This is the first monograph on (and the first illustration of) this particular species which was then as much as today priced as medicine and food.
Roel was professor of medicine at Utrecht.
Nissen, Zoologische Buchillustration, 434; Cobres 128.
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MARINI, Giovanni Ambrogio.
The Desperadoes; an heroick History. Translated from the Italian of the celebrated Marini (the Original having passed ten Editions.) Containing a Series of the most surprizing Adventures of the Princes Formidaur and Florian … In four Books. Embellish’d with eight excellent Copper-Plates.
First and only edition in English of Le gare de’ disperati (1644), the second of three romances by Marini (1596-1668). Inevitably, ‘It was necessary to omit many Things that were contrary to our Morals; to Decency, and to the Purity of the English Tongue …’. But the general scheme of events is the same as the original, and is outlined on the title-page: ‘A Series of the most surprizing Adventures of the Princes Formidaur and Florian; the former being in love with Zelinda, whom he takes to be his own Sister; and the latter having married Fidalme, who he supposes to be his father’s Daughter by a second Wife, and afterwards kills in Disguise in single Combat. With a Relation of the various amazing Accidents, and Misfortunes, which happen thereon, until the Whole concludes with making them all happy, by a most extraordinary and uncommon Revolution.’
Inventario privato. Prefazione di Giacomo Zanga. Disegni di Alberto Casarotti.
First edition of the second published collection of poems by Elio Pagliarani (b. 1927), a member of the neo-avant-garde Gruppo 63. Pagliarani was the first of five poets to be anthologised by Alfredo Giuliani two years later in his important anthology I novissimi (1961), which in many ways can be seen as the launch of the Italian neo-avant-garde.