Männergesänge von Freunden der Tonkunst gesammelt, dem Liederkranze zu Franfurt a. M. in Liebe geweihet und zu Gunsten der dortigen Mozart-Stiftung herausgegeben … 

Zürich, gedruckt bei J. J. Ulrich, im Verlage des Herausgebers, 1840.

Four parts in one vol., oblong 8vo (142 × 230 mm), each partbook pp. [2], 49, [1] and in the original printed wrappers (red, green, orange, blue, depending on the part); bound together in contemporary green half morocco, glazed paper sides in imitation of straight-grain morocco; some spotting, light stain in the gutter towards the beginning, but a very good copy, originally belonging to one J. Haltiner, with his name stamped gilt to front cover, and written in ink or pencil to the title of each part.

£950

Approximately:
US $1162€1050

Make an enquiry

Added to your basket:
Männergesänge von Freunden der Tonkunst gesammelt, dem Liederkranze zu Franfurt a. M. in Liebe geweihet und zu Gunsten der dortigen Mozart-Stiftung herausgegeben … 

Checkout now

First edition, the partbook issue.  The work was also issued in score.  Both are very rare, OCLC locating a copy of the 1st Bass part at Pittsburgh Theological Seminary, and a set at the Swiss National Library.  There are apparently no copies in Germany: KVK shows the British Library copy (in score) only.
 
Among the 46 pieces included are works by Mozart, Just, Speyer, and some minor German and Swiss composers, but the surprise comes in three English glees, translated into German, by Samuel Webbe, ‘one of our greatest glee composers in every sense’ (Baptie), ‘Mr’ [Richard?] Wainwright, and Reginald Spofforth, his ‘Hail, smiling morn’, ‘possibly the most popular glee in the entire repertory’ (New Grove).
 
 

You may also be interested in...

BARTHOLIN, Albert (1620-1663),

and

First edition of the first Danish national bibliography, edited posthumously by the author’s famous brother, Thomas Bartholin. The book is a remarkable record of Danish literature from its early days to the middle of the 17th century. The Bartholins list over 500 authors and more than 1000 different titles.

Read more

BLANCHET, Joseph.

L’art, ou les principes philosophiques du chant. IIe edition, corrigée et augmentée.

First edition. The designation ‘IIe edition, corrigée et augmentée’ on the title arises from the publication in 1755 of L’art du chant, dedié a Madame de Pompadour by Jean-Antoine Bérard, whom Blanchet accuses of incorporating his material. The two works certainly include many passages which are almost identical, notably the first and third chapters, ‘La voix considérée par rapport au chant’ and ‘La formation de la voix’. Blanchet in turn seems to have based much of his work upon the physician and anatomist Antoine Ferrein’s De la formation de la voix de l’homme (1741), although he refutes this imputation at the end of the ‘avertissement’ here.

Read more