3 vols., 12mo., lightly browned; a very good copy in later nineteenth century half plum morocco and marbled boards, gilt, joints and corners rubbed.
Added to your basket:
The Tragedies of Vittorio Alfieri; translated from the Italian … In three Volumes …
First edition of this translation, which Lloyd undertook ‘on the suggestion of a friend whose judgement I highly respect’. This friend was likely Southey, who he addresses as his ‘sponsor’ in the ‘Dedicatory Sonnet’. He held Southey in high esteem, and benefited from his friendship through testing times. Lloyd’s temperament was always difficult, but in 1811 he began to suffer serious auditory delusions, which clouded the rest of his life in periodic spells of insanity. De Quincey suggests that he began the Alfieri project to divert his mind from the onset of madness, and held that Lloyd was amongst the most interesting men he had known.
Lloyd explains his aim to ‘catch perspicuously the general meaning of Alfieri, without at all binding myself down for a literal word-for-word translation, or to a close imitation of his style’. This is indeed a work of some poetic licence, although he maintains the original’s eight dedications to various nobles, including Charles I ‘an unfortunate and dead king’, and General Washington ‘the most illustrious and free citizen’. These, especially the final dedication to ‘The future People of Italy’, convey Alfieri’s hopes for the rousing lessons of antiquity.
You may also be interested in...
[LANDOR, Walter Savage].
Count Julian: a Tragedy.
First edition of Landor’s first play, unacted, but a succès d’éstime, published in ‘a small edition’ (Oxford DNB). The episode in Spanish history which it treats – the vengeance taken by Don Julián, 8th-century ruler of Ceuta, against Roderigo, King of the Goths, who has dishonoured Julián’s daughter – was also used by Walter Scott (The Vision of Don Roderick, 1811), Southey (Roderick, the last of the Goths, 1814) and, earlier, William Rowley (All’s lost by Lust, 1633).
MURDER IN THE SERAGLIO BARON, Robert.
Mirza. A Tragedie, really acted in Persia, in the last Age. Illustrated with historicall Annotations.
First edition of Baron’s last literary endeavour, a violent revenge tragedy influenced by Jonson’s Catiline, mostly in verse, packed with political intrigue, murders ‘and Seraglio’s too’, all fitting subjects for its exotic setting. Not intended for performance, which been impossible during the Commonwealth, it was meant instead to be ‘read and carefully digested’ and is, ‘by the standards of its day, an exceptionally long and elaborate play’ (Birchwood, Staging Islam in England).