NAPOLEON ENOBLES COLONEL PÉCHEUX FOR HIS ‘BRILLANT FAIT D’ARMES’ IN THE PENINSULA Brevet signed (‘Napole’), for Colonel Marc Nicolas Louis Pécheux, granting him the title of Baron of the Empire.
‘Notre Camp Impérial à Burgo’, 22 November 1808.
SOUTHEY’S COPY, WITH A LONG NOTE Altare Christianum: or, the dead Vicar’s Plea. Wherein the Vicar of Gr. being dead, yet speaketh, and pleadeth out of Antiquity, against him that hath broken downe his Altar. Presented, and humbly submitted to the consideration of his Superiours, the Governours of our Church.
London, Printed by Richard Badger. 1637.
AN ‘ENGLISH’ ROMANCE, THE ROXBURGHE COPY L’Histoire Palladienne, traitant des gestes & genereux faitz d’armes et d’amours de plusieurs grandz princes et seigneurs, specialement de Palladien filz du roy Milanor d’Angleterre, & de la belle Selerine sœur du roy du Portugal: nouvellement mise en nostre vulgaire Françoys …
Paris, Estienne Groulleau, 1555.
A FAMOUS BAWD, AND POPE'S LOVERS TANNER, Anodyne, M.D., pseud.
The Life of the late celebrated Mrs. Elizabeth Wisebourn, vulgarly call’d Mother Wybourn; containing secret Memoirs of several Ladies of the first Q---y, who held an Assembly at her House; together with her last Will and Testament … London: Printed for A. Moore … [1721?].
First edition of a scurrilous account of Elizabeth Wisebourn[e], a famous bawd, and the goings-on in the gilded apartments of her elegant London brothel in Drury-Lane. Born in 1653 and educated in Rome under the tuition of a Lady Abbess to whom ‘she ow’d all that she knew of her Business’, Elizabeth made the acquaintance of ladies of first rank on her return to London, setting up a House where they could consort in private with the greatest variety of gallants. She also maintained a supply of the latest anti-venereal nostrums (a medical theme underlies the main narrative). Although her clients, female and male, are concealed by dashes and invented names, they must have been readily recognized by readers of the day. As her business increased she joined forces with the opera manager John James Heidegger, and together they conceived scandalous masquerades ‘to promote the Trade of her House’.
‘THE FINEST AND MOST COMPLETE ATLAS OF PORTRAITS OF BRITISH AVIFAUNA … EVER PUBLISHED’ (WOOD) MEŸER, Henry Leonard.
Coloured Illustrations of British Birds, and Their Eggs.
Second octavo edition. Meÿer’s British Birds is, ‘[w]ith the possible exception of Lord Lilford’s Birds, [which was published some fifty years later] […] the finest and most complete atlas of portraits of British avifauna (with their eggs) ever published’ (Wood). Meÿer was a British artist of Dutch extraction aiming to represent birds in a natural, life-like manner. His characteristically wonderfully detailed, accurate and attractive plates resulted from a collaboration of the Meÿer family, headed by Meÿer’s wife, ‘an accomplished artist, [who] not only executed such drawings as were not made by her husband, but drew many of the plates upon the stones’ (Mullens and Swann, p. 399), with colouring done by their children. Mrs Meÿer is known to have visited the gardens of the Zoological Society to study birds, while the eggs were collected by the family or sent by friends.