SOUTHEY’S COPY, WITH A LONG NOTE Altare Christianum: or, the dead Vicar’s Plea. Wherein the Vicar of Gr. being dead, yet speaketh, and pleadeth out of Antiquity, against him that hath broken downe his Altar. Presented, and humbly submitted to the consideration of his Superiours, the Governours of our Church.
London, Printed by Richard Badger. 1637.
AN ‘ENGLISH’ ROMANCE, THE ROXBURGHE COPY L’Histoire Palladienne, traitant des gestes & genereux faitz d’armes et d’amours de plusieurs grandz princes et seigneurs, specialement de Palladien filz du roy Milanor d’Angleterre, & de la belle Selerine sœur du roy du Portugal: nouvellement mise en nostre vulgaire Françoys …
Paris, Estienne Groulleau, 1555.
A FINE SERIES OF ETCHINGS DEPICTING LATE-NINETEENTH-CENTURY CHELSEA, LIMITED TO 110 COPIES Bits of Old Chelsea. A Series of Forty-One Etchings ... with Letterpress Description by Lionel Johnson and Richard le Gallienne
London: Ballantyne, Hanson & Co. for Kegan Paul, Trench, Trubner & Co., 1894.
THE GODMERSHAM PARK-CHAWTON COPY, READ BY JANE AUSTEN?
WITH JOHN NEWTON’S SUPPRESSED PREFACE
Poems … London: printed for J. Johnson … 1782. [With:]
_________. The Task, a Poem, in six Books … To which is added … An Epistle to Joseph Hill … Tirocinium, or a Review of Schools, and the History of John Gilpin. London: Printed for J. Johnson … 1785.
A voyage to the South Sea . . . for the purpose of conveying the bread-fruit tree to the West Indies, in his majesty’s ship the Bounty, commanded by Lieutenant William Bligh. London, George Nicol, 1792 [including] A narrative of the mutiny, on board his majesty’s ship Bounty; and the subsequent voyage of part of the crew, in the ship’s boat, from Tofoa, one of the Friendly Islands, to Timor, a Dutch settlement in the East Indies. Written by Lieutenant William Bligh.
London, George Nicol, 1790.
A satirical Poem. In which are contain’d the humorous Transactions, Speeches, and Behaviour of the Guests who were present at the Ceremony and Entertainment …
London: Printed by W. James … 1732.
RAVERAT, Gwendolen Mary.
The Wood Engravings of Gwen Raverat. Selected with an Introduction by Reynolds Stone.
First edition. This was the first catalogue of the wood-engravings of Raverat (1885-1957) to be published, and the works were selected and edited by the distinguished wood-engraver Reynolds Stone (1909-1979), who later wrote of her that, ‘Everything that Gwen Raverat undertook was done with intelligence and skill – her graphic work for the Admiralty in the Second World War, as well as her theatre designs and paintings and drawings – but it was through wood-engraving that she was able to communicate her vision most fully. In her engraving she did not aim at decoration or use a strong decorative line, like her friend Eric Gill; nor was she a naturalist interested in the rendering of a bird's plumage or an animal's fur, like Thomas Bewick. Rather, she was a master of light, shade, and the interplay of textures, with a deceptively simple technique, and a bold sense of design’ (ODNB). The volume reproduces both individual engravings and suites of images for the books that Raverat illustrated for the Ashendene Press and other publishers.
‘THE FINEST AND MOST COMPLETE ATLAS OF PORTRAITS OF BRITISH AVIFAUNA … EVER PUBLISHED’ (WOOD) MEŸER, Henry Leonard.
Coloured Illustrations of British Birds, and Their Eggs.
Second octavo edition. Meÿer’s British Birds is, ‘[w]ith the possible exception of Lord Lilford’s Birds, [which was published some fifty years later] […] the finest and most complete atlas of portraits of British avifauna (with their eggs) ever published’ (Wood). Meÿer was a British artist of Dutch extraction aiming to represent birds in a natural, life-like manner. His characteristically wonderfully detailed, accurate and attractive plates resulted from a collaboration of the Meÿer family, headed by Meÿer’s wife, ‘an accomplished artist, [who] not only executed such drawings as were not made by her husband, but drew many of the plates upon the stones’ (Mullens and Swann, p. 399), with colouring done by their children. Mrs Meÿer is known to have visited the gardens of the Zoological Society to study birds, while the eggs were collected by the family or sent by friends.
Anthology of manuscript floriographic poetry,
A collection of twenty-six apparently unpublished poems in manuscript, presented as an alphabetical acrostic. The poems express the perfection and the language of flowers – that is, the meaning embodied by each variety. Examples given here include ox-eye for patience, quince blossom for temptation, and yellow xanthiums for rudeness.