SOUTHEY’S COPY, WITH A LONG NOTE Altare Christianum: or, the dead Vicar’s Plea. Wherein the Vicar of Gr. being dead, yet speaketh, and pleadeth out of Antiquity, against him that hath broken downe his Altar. Presented, and humbly submitted to the consideration of his Superiours, the Governours of our Church.
London, Printed by Richard Badger. 1637.
AN ‘ENGLISH’ ROMANCE, THE ROXBURGHE COPY L’Histoire Palladienne, traitant des gestes & genereux faitz d’armes et d’amours de plusieurs grandz princes et seigneurs, specialement de Palladien filz du roy Milanor d’Angleterre, & de la belle Selerine sœur du roy du Portugal: nouvellement mise en nostre vulgaire Françoys …
Paris, Estienne Groulleau, 1555.
PRINTED FOR THE CHANNEL ISLANDS AND THE SAVOY [BOOK OF COMMON PRAYER.]
La Liturgie. C’est a dire, le formulaire des Prieres publiques, de l’Administrations des Sacreman; at des autre Ceremonies … avec le Pseautier, ou les Pseaumes de David …
First edition of this translation, printed for the use of ‘toutes les Eglisses Paroissiales & dans les Chapelles de Isles de Jersey, Guernsey, & autres Isles adjacentes’, as well as for the French congregation at the Savoy in London.
LAOCOON ENGRAVED REZZONICO, Carlo Castone della Torre di.
Discorsi accademici del conte … segretario perpetuo della R. Accademia delle Belle Arti.
First and only edition of an exquisite little product of the Bodoni house: Count Rezzonico’s reflections on the fine arts, including a dissertation on the techniques of woodcut and engraving. The Neo-Classical aesthetics that inform this work are reflected in the illustrations, masterfully executed by the painter, engraver and stucco artist Benigno Bossi. Perhaps the most remarkable is the depiction of the marble Laocoon, which had been made by Lessing the symbol of the aesthetic autonomy of poetry and painting.
PRESENTATION COPIES ‘CARROLL, Lewis’ [i.e. Charles Lutwidge DODGSON].
Sylvie and Bruno … London, Macmillan and Co. 1889. [With:] Sylvie and Bruno concluded … London, Macmillan and Co. 1893.
First editions, presentation copies inscribed ‘Lizzie Wilcox from her affte Cousin the Author / Dec. 12. 1889’ and ‘Lizzie Wilcox, from her affectionate Cousin the Author / Dec. 27, 1893’ (two days before publication), a fine association: