SOUTHEY’S COPY, WITH A LONG NOTE Altare Christianum: or, the dead Vicar’s Plea. Wherein the Vicar of Gr. being dead, yet speaketh, and pleadeth out of Antiquity, against him that hath broken downe his Altar. Presented, and humbly submitted to the consideration of his Superiours, the Governours of our Church.
London, Printed by Richard Badger. 1637.
A satirical Poem. In which are contain’d the humorous Transactions, Speeches, and Behaviour of the Guests who were present at the Ceremony and Entertainment …
London: Printed by W. James … 1732.
AN ‘ENGLISH’ ROMANCE, THE ROXBURGHE COPY L’Histoire Palladienne, traitant des gestes & genereux faitz d’armes et d’amours de plusieurs grandz princes et seigneurs, specialement de Palladien filz du roy Milanor d’Angleterre, & de la belle Selerine sœur du roy du Portugal: nouvellement mise en nostre vulgaire Françoys …
Paris, Estienne Groulleau, 1555.
BRANDED ‘LE BLASPHÉMATEUR EUROPÉEN’ FOR HIS CONTROVERSIAL LA VIE DE JÉSUS. RENAN, Ernest (1823-1892), French philologist and philosopher.
A collection of 26 autograph letters and notes signed, with one letter by an amanuensis signed, to various recipients, in French.
A fine collection of letters from Renan, providing an insight into the breadth of his academic pursuits, his publications, his contacts in France and abroad, and his personality.
COLLUTHUS, of Lycopolis.
The Rape of Helen. Translated from the Greek ... And illustrated with the Notes of Michael Nicander. To which is prefix’d a Fragment of the Author’s Life, from Suidas.
First and only edition, rare, of this translation of Collothus’s Rape of Helen (Αρπαγη Ελενης), ‘a short and charming miniature epic’ (Cambridge Companion to the Epic) written in the late fifth century in Egypt in 392 hexameters.
WOOD, John George.
The Principles and Practise of Sketching Landscape Scenery from Nature, systematically arranged and illustrated by numerous examples, from simple and easy subjects, to the more complicated and difficult combinations of objects. In four parts.
First edition of J. G. Wood’s last and most ambitious drawing book. Wood was a landscape painter speciallising in watercolour and exhibited at the Royal Academy between 1793 and 1811. Here his drawing lessons deal with sketching cottage scenery, trees and woods, village streets, and general views incorporating grandiose landscape settings and glimpses of houses and villages. Some plates have faint perspective lines drawn on to enable the student to understand the correct perspective.