8vo, pp. 127, with folding engraved frontispiece and 7 illustrations in text by E. Lansere, + 8ll. advertisements; a very good copy, uncut in the original illustrated wrappers by Lansere, spine chipped at head and tail and sometime repaired; in a folding cloth box.
US $1021 €876
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Tsar Golod. Predstavlenie v piati kartinakh s prologom [King Hunger. A play in five scenes with a prologue].
First edition of this play by one of the most popular writers in Russia during the first decade of the 20th century: Andreev’s fame ‘was almost on a par with that of Chekhov and Gorky. The fact remains that his talent and topical themes, his literary techniques combining tradition and modernism, the boldness of his imagination, and a captivating sketchiness of thought in dealing with complex moral-psychological and philosophical problems, endeared him to a significant segment of the intelligentsia and made him consonant with the times. And though the readership and that epoch are gone forever, some of Andreev’s characteristics, particularly his obvious talent, ensure for him a permanent place in Russian literature’ (Victor Terras).
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DEGUERLE, Jean Nicolas Marie.
An apparently unrecorded collection of verses inspired by the Augustan poets by the French poet, translator, and educator Jean Nicolas Marie Deguerle (1766 – 1824).
Cerimonie piu’ notabili della messa privata; Cavate dalle rubriche del Missale, ed altri autori da un Sacerdote D.C.D.M. Coll’aggiunta di quelle della messa, e vespri solenni si pei vivi, che pei defunti, col modo di servire alla messa privata. Da un’Alunno del Seminario di Torino.
As far as we are aware unrecorded edition of this uncommon treatise on the celebration of the mass and its associated rituals. Dealing both with private (low) masses and with solemn mass and solemn vespers, the work explains the meaning and performance of the non-verbal aspects of the liturgy: genuflection, the sign of the cross, the communion of the faithful, the movements of the celebrant’s hands, the role of acolytes and thurifers (also during requiem masses), the office of the subdeacon and deacon, the use of incense, and instructions for serving at the missa private. The woodcut on page 200 depicts the altar, annotated with numbers referring to the relevant parts of the text.
The text itself appears first to have been published around the turn of the century; the earliest issue in SBN is a Naples printing of 1701, but that claims to be ‘novamente riviste, ed accresciute’, and is only of 134 pages in 12s. Other editions appeared in Pavia, Turin, and Modena, while Venetian printings were issued in 1739 and 1750. All seem very scarce.
Not in OCLC, which records only a Venice printing of the same year (in the Polish Union Catalogue); SBN does not record this edition.