4to. manuscript, ff. , with ruled borders, in brown ink, with 30 landscape vignettes in black ink, 19 encorporating initials; in fine condition in contemporary red polished calf, covers tooled with gilt central panel and roll-tool borders at head and foot, geometric lozenge pattern painted in black; both poems inscribed ‘A Madame Donadieu'.
US $2420 €2027
Added to your basket:
Illustrated manuscript volume of poetry, comprising ‘Vingt-six janvier 1836’ by Azaïs, and ‘Marie’ by Labor.
An attractive presentation volume, with poems by Azaïs (1805-1888) and Labor (1813-1900), and fine vignette sketches. Azaïs, later author of Les Troubadours de Béziers (1869) was a member of the Félibrige, the literary organization founded by Frédéric Mistral to promote Occitan language and culture. Labor was a landscape painter, a secretary and close friend of Lamartine, author of a novel (Marguerite, 1837), and the founder and first conservator of the Musée des Beaux Arts de Béziers; the vignettes are presumably by him.
You may also be interested in...
[SPAIN – SANTIBANEZ DE BEJAR.]
Two documents in Spanish on the same sheet, concerning the sale of property by Alvar Gil to Diego de Çervantes.
The documents concern the sale of a house, winepress (‘lagar’), smaller winepress (‘lagareta’), tank (‘pilo’) and cellar (‘bodegas’) by Alvar Gil, tailor (‘alfayate’), to Diego de Çervantes, who is described as the servant of Fernando Bachiller, prior of the monastery of Our Lady at ‘val parayso’, i.e. the Ermita de Nuestra Señora de Valparaíso, Santibáñez de Béjar, in the province of Salamanca.
GOUNOD IN LONDON GOUNOD, Charles François.
A volume of ten songs bound together, all signed and inscribed by Gounod to Arthur Cecil Blunt (1832–96).
A specially bound volume containing ten of Gounod’s London-published songs, all signed and inscribed in pencil on the upper wrapper to the English actor Arthur Cecil Blunt (stage name Arthur Cecil, 1843–1896): ‘To my friend Arthur C. Blunt. Ch, Gounod’. The songs, of which eight are in English, one in French, and one in Italian, all date from the years 1870–74 when Gounod lived in England, residing for three of those years in the home of Harry and Georgina Weldon in Tavistock Square, London. Three of the songs here are dedicated to Mrs Weldon, two others are described as ‘sung by Mrs Weldon’, and one is dedicated to her husband.