4to. manuscript, ff. , with ruled borders, in brown ink, with 30 landscape vignettes in black ink, 19 encorporating initials; in fine condition in contemporary red polished calf, covers tooled with gilt central panel and roll-tool borders at head and foot, geometric lozenge pattern painted in black; both poems inscribed ‘A Madame Donadieu'.
US $2129 €1922
Added to your basket:
Illustrated manuscript volume of poetry, comprising ‘Vingt-six janvier 1836’ by Azaïs, and ‘Marie’ by Labor.
An attractive presentation volume, with poems by Azaïs (1805-1888) and Labor (1813-1900), and fine vignette sketches. Azaïs, later author of Les Troubadours de Béziers (1869) was a member of the Félibrige, the literary organization founded by Frédéric Mistral to promote Occitan language and culture. Labor was a landscape painter, a secretary and close friend of Lamartine, author of a novel (Marguerite, 1837), and the founder and first conservator of the Musée des Beaux Arts de Béziers; the vignettes are presumably by him.
You may also be interested in...
with readings and music for the feast of St. Clement (23 November); a complete vellum leaf, double columns of 37 lines written in two sizes of an early gothic liturgical script, dark brown ink, ruled lightly with plummet, 2-line initials in red, rubrics, neumes on four-line staves; recovered from a binding and with consequent creasing and staining, but generally in very good condition and entirely legible. 332 x 230 mm (written space 315 x 190 mm)
The final stage in the accurate placement of musical notation was the introduction of 4-line staves, and they came to be used in almost all music books from the thirteenth century onwards. The present fragment is a relatively early example of their use.
with neumes, containing music for Holy Saturday and Easter Sunday; a complete leaf written in dark brown ink in a good early gothic bookhand, 14 lines, ruled in ink, neumes on four-line staves ruled in dark brown ink (red marking the C-clef), capitals touched in red, small initials in red, rubrics, two large initials ‘V’ ('Vespere autem sabbati') and ‘A’ ('Angelus domini descendit') in red with elaborately entwined leafy tendrils; rather soiled and slightly rubbed from use in a binding, the recto very worn, but the verso mostly clear and legible. 290 x 200 mm (written space 260 x 170 mm)
From a well-written Antiphonal with elaborate penwork initials.