8vo (222 x 140 mm), pp. 96; bound in orange stiff card wrappers.
US $32 €27
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The Pirie Library. A Short-Title Catalogue of the Collection of Robert S Pirie.
The library of Robert S Pirie, ‘one of the finest private libraries of English literature, not just of our time but of all time’ (James Stourton), was sold at Sotheby’s New York on 2-4 December 2015. This account is based on Sotheby’s catalogue of the sale, and augmented by Mr Pirie’s acquisition cards and information supplied by Irene Adams. It contains indexes of provenances, sources, bindings, armorials and devices, & a list of prices, along with a preface and memoir by Nicolas Barker, and recollections by Nicholas Poole-Wilson.
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Malay seals from the Islamic world of Southeast Asia.
A new publication by Annabel Teh Gallop, Lead Curator in Southeast Asia Collections at the British Library, published by NUS Press in Singapore. The British Library website describes Malay seals as ‘a catalogue of 2,168 seals sourced from more than 70 public institutions and 60 private collections worldwide. The seals are primarily recorded from impressions stamped in lampblack, ink or wax on manuscript letters, treaties and other documents, but around 300 seal matrices made of silver, brass or stone are also documented. These Malay seals originate from the present-day territories of Malaysia, Brunei, Singapore, Indonesia and the southern parts of Thailand, Cambodia and the Philippines, and date from the second half of the 16th century to the early twentieth century.’
Le miniature Italiane del Kupferstichkabinett di Berlino.
From the presentation leaf: ‘Bernard Quaritch Ltd is delighted to be a sponsor of this magnificent publication. We feel sure that our German founder, both as publisher of scholarly works and dealer in medieval manuscripts, would have been proud to support Beatrice Alai’s catalogue of the Italian miniatures in one of the great German collections. Quaritch would certainly have known the Kupferstichkabinett’s illustrious director Friedrich Lippmann, for in 1888 he published Lippmann’s The Art of wood-engraving in Italy in the fifteenth century, the same year in which Lippmann acquire from Quaritch the splendid Roman calendar leaf which is described within these pages.’