Small folio, pp. , 399, , wanting the preliminary blank, small hole to M4 affecting three letters, a few marginal repairs without loss; a very good copy in full red morocco, gilt, by Zaehnsdorf, joints slightly rubbed.
US $1604 €1370
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Psyche: or Loves Mysterie in XX. Canto’s: displaying the Intercourse between Christ and the Soule …
First edition. Beaumont was one of the royalist fellows ejected from Cambridge in 1644, and he devoted his enforced retirement to the composition of this poem, a ‘religious epic’ representing ‘a Soule led by divine Grace, and her Guardian Angel ... through the difficult Temptations and Assaults of Lust, of Pride, of Heresie, of Persecution, and of Spiritual Dereliction ... to heavenly Felicitie.’ The result, some 30,000 lines in six-line stanzas, is by far the longest work of the ‘English Spenserians’ of the seventeenth century (Drayton, Wither, Henry More, Giles and Phineas Fletcher), although Beaumont’s stylistic affinities lie more with Donne and with his fellow student at Peterhouse, Richard Crashaw.
When a second edition was published in 1702 ‘much enlarged in every canto by the late Reverend Author’, the first edition was described as ‘very scarce and very dear’, which is difficult to believe.
Wing B 1625; Hayward 96.
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BUQUOY, Georg Franz August de Longueval, Freiherr von Vaux, Graf von.
Anregungen für philosophisch-wissenschaftliche Forschung und dichterische Begeisterung, in einer Reihe von Aufsätzen eigenthümlich der Erfindung nach und der Ausführung …
First edition, rare, of a comprehensive discussion by the author of his personal philosophy, with c. 50 pages of his poetry thrown in at the end for good measure. Samuel Hahnemann refers to the work in Die chronischen Krankheiten (1828–30), calling Buquoy a ‘deep-thinking, many-sided scholar and indefatigable investigator of truth’. He also notes Buquoy as a practical connoisseur of homeopathy.
L’heureuse benediction des maisons.
A wonderful devotional broadside printed in the Breton town of Vannes, comprising a crude woodcut depiction of the scene at Calvary, signed ‘Desloge’ at the base, with two cantiques spirituels. The image is identical to one that appeared in a similar publication, also undated, that appeared in Mourtain in Normandy, printed by Lebel; the surrounding border and the text, however, differ, and we are unable to establish priority. Similar images, appearing under the same title, were not uncommon in the mid nineteenth century in provincial France, but survivals are very rare. Lamarzelle was the publisher of numerous works, both religious and secular, throughout the nineteenth century. Nicolas de Lamarzelle, the present printer, was active between 1835 and 1849.
Neither the present version nor the Mourtain one recorded by OCLC.