4to, pp. 40; printer’s device on title, one large and several 5-line finely engraved initials, some criblé, some historiated, some grotesque; a very good copy in modern marbled boards, the manuscript ownership inscription of Cardinal Altemps (1561-1595) on the title-page.
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Iacobi Blanchoni ucessiensis adversus Ludovicum beneventanum abbatem selestensem defensionum liber.
First edition of a very rare work of sixteenth-century Lyonnese Neoplatonism, an elegantly-printed de Tournes edition. Ostensibly a simple series of remarks against the theses of the (presumably sternly Scholastic) abbot of Selestan, this is a tract of Renaissance moral philosophy. The theme of dignitas hominis concentrated the philosophical efforts of several Lyonnese men of letters inspired by Ficino and Pico della Mirandola. Like Charles de Bovelles and P. Boaistuau, Jacques Blanchon systematically harmonizes Aristotle’s philosophy and science with the hermetic thought associated with the writings of Hermes Trismegistus.
Anticipating Charron and Montaigne, Blanchon does not accept demonology and witchcraft, exposing the foolishness of popular beliefs largely on grounds of common sense rather than strict Scholastic rationalism. Further chapters address ideas and knowledge, nature, the soul, the impact of need on morality, human freedom from predestinations and from the stars, and some false etymologies. Blanchon was also the author of a tract ‘De summo hominis bono’ published in the same year.
Adams B2099. Rare: two locations in the UK (Cambridge and St. Andrews), one in the US (Newberry), one in France (BNF) and two in Switzerland (Basel and Bern).
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with neumes, containing music for Holy Saturday and Easter Sunday; a complete leaf written in dark brown ink in a good early gothic bookhand, 14 lines, ruled in ink, neumes on four-line staves ruled in dark brown ink (red marking the C-clef), capitals touched in red, small initials in red, rubrics, two large initials ‘V’ ('Vespere autem sabbati') and ‘A’ ('Angelus domini descendit') in red with elaborately entwined leafy tendrils; rather soiled and slightly rubbed from use in a binding, the recto very worn, but the verso mostly clear and legible. 290 x 200 mm (written space 260 x 170 mm)
From a well-written Antiphonal with elaborate penwork initials.
De rebus a Iudaeoru[m] principibus in obsidione fortiter gestis, deq[ue] excidio Hierosolymorum, aliarumq[ue] ciuitatum adice[n]tium, libri V diuo Ambrosio Mediolanensi episcopo interprete. Eiusdem Anacephaleosis fini operis adiecta est.
An early edition of this popular Latin account of the Jewish War of 66-73 AD, with a dedication by Philipp Melanchthon. The text borrows heavily from the Jewish War and Jewish Antiquities of the first-century Jewish historian Josephus, and is attributed in extant manuscripts either to Hegesippus – a possible corruption of Iosippus – or to Ambrose of Milan. Its composition is usually dated to the late fourth century: book 2 contains an allusion to the conquest of Britain by Theodosius c. 370 AD. The text is followed by the Pseudo-Ambrosian work Anacephaleosis, a Carolingian treatise on the destruction of Jerusalem, and the volume ends with tables of concordance between Hegesippus and Josephus’s works.