Sm. 8vo, pp. 47; in the original printed wrappers, a few stains.
US $130 €111
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First edition of a collection which highlights the poet’s interest in the Caucasus and other (non-Russian) parts of the Soviet Union, often employing foreign words in the poems. A short vocabulary is appended. Chachikov produced a number of volumes of verse, including translations from Georgian.
Tarasenkov p. 397; not in Kilgour.
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POEM ON THE 1755 LISBON EARTHQUAKE ALMEIDA, Theodoro de.
Lisboa destruida poema, author o P. Theodoro de Almeida, da Congregaçaõ do Oratorio de Lisboa.
First edition of this poem in six cantos, with extensive notes, on the disastrous 1755 Lisbon earthquake, by the Oratorian priest and philosopher Almeida (1722-1804). One of the deadliest in history, the earthquake almost totally destroyed the Portuguese capital and accentuated political tensions within the kingdom. It was widely discussed by European Enlightenment philosophers, including Voltaire and Rousseau, and led to important debates around theodicy and philosophical optimism.
Almeida was one of the most important figures of the iluminismo in Portugal and spent time in exile in France following the persecution of his congregation by the Marquis of Pombal. He wrote Lisboa destruida soon after the earthquake but it remained in manuscript until 1803, its publication perhaps motivated by the outbreak of the Napoleonic Wars, which threatened to bring fresh disaster to his country. In his prologue, Almeida refers to Voltaire’s Poème sur le désastre de Lisbonne as ‘obra dictada, naõ pelas Musas Christãs, mas certamente pelas Furias infernaes’. Almeida’s poem has been praised by the bibliographer Inocênio for its historical value and is illustrated with beautiful vignettes alluding to the earthquake.
Provenance: this copy belonged to one Captain Saunders of the 14th Light Dragoons who no doubt acquired it on service with the 14th during the Peninsula War between 1808 and 1814.
Only one copy on Library Hub, at the British Library.
Inventario privato. Prefazione di Giacomo Zanga. Disegni di Alberto Casarotti.
First edition of the second published collection of poems by Elio Pagliarani (b. 1927), a member of the neo-avant-garde Gruppo 63. Pagliarani was the first of five poets to be anthologised by Alfredo Giuliani two years later in his important anthology I novissimi (1961), which in many ways can be seen as the launch of the Italian neo-avant-garde.