62 x 99 cm, lithographed poster in full colour, pinholes in corners.
US $320 €291
Added to your basket:
Alpes. French Railways
A gorgeous and colourful surrealist design of delicate butterflies fluttering against a rugged Alpine backdrop, one of six designs commissioned from Dali by SNCF, French national railways, to promote travel into the Alpine region.
You may also be interested in...
PRESENTED BY THE AUTHOR MÜLLER, Christian (Charles LÉGER, translator).
Tableau de Pétersbourg, ou lettres sur la Russie, écrites en 1810, 1811 et 1812 par D. Chrétien Muller, et traduites de l’allemand par C. Léger ... Avec un plan de Pétersbourg.
First edition in French of Müller’s epistolary description of St Petersburg and Russia (first German edition 1813), this copy presented by the author to the Baron de Friddani. Müller, a doctor in law and philosophy from the University of Jena, travelled to Russia immediately prior to the French invasion of 1812. His Tableau describes St Petersburg’s squares, buildings, gardens, palaces, religious establishments, climate, and social life, as well as the manufacture of glass and porcelain ware. Subsequent letters cover Russian culture, education, science and arts, the military and police, theatre, national characteristics, legal and political administration, pearls and jewellery, festivals, men, women and mothers, and the palaces of Gatchina and Pavlovsk, in addition to a trip to Estonia.
CAYLEY, John, XU BING and others (Katherine SPEARS, ed.).
Tianshu: Passages in the Making of a Book.
This is the most comprehensive study on Tianshu to date, focusing on both the bibliographic and technical details of the work. The text contains new essays by Xu Bing (published both in Mandarin and in translation), John Cayley (Brown University), Professor Lydia Liu (Columbia University) and Professor Haun Saussy (Yale University). It also includes an essay from 1994 on Xu Bing's 'nonsense writing' by Professor Wu Hung (University of Chicago), a detailed bibliographic description of the Tianshu and a thorough exhibition history.