62 x 99 cm, lithographed poster in full colour, pinholes in corners, small loss to blank foreedge, A-. £200
US $274 €234
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Normandie. French Railways.
Mont Saint-Michel meets stone circles, butterflies and surrealist heads in this promotional SNCF poster for train travel in Normandy.
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WALLON, Henri Alexandre.
De l’esclavage dans les colonies pour servir d’introduction a l’Histoire de l’esclavage dans l’antiquite.
First edition, presentation copy from the author. The introduction to Wallon’s fundamental History of slavery, published separately and included in the History from the second edition onwards.
A PRELUDE TO L’ESPRIT DES LOIS MONTESQUIEU, Charles de Secondat.
Histoire véritable publiée d’après un nouveau manuscrit avec une introduction et des notes par L. de Bordes de Fortage.
Second edition of Montesquieu’s philosophical, quasi-oriental tale, a prelude to his great work L’Esprit des lois. Written in the 1730s and again in 1754, and influenced by Lucian and the 18th-century vogue for oriental fiction, the Histoire véritable remained unpublished until 1892. This 1902 second edition is based on a manuscript written prior to that used for the first. The Histoire is a fabulous account of the numerous animal and human incarnations experienced by its narrator: as a little dog he is persecuted by his mistress, while as an ox he is worshipped by the Egyptians; as a human his soul occupies the bodies of a hangman, a cuckolded husband, an underfed poet, a courtier, a fop, a virtuous woman, a eunuch, an African chief, a king’s fool, among many others. ‘The different reincarnations are so many opportunities to expose human turpitude from the inside and to underscore, from the vantage point of a single conscience, retrospectively enlightened, the corruption and wickedness of men ... Montesquieu’s originality is to create, based on conventional processes of narrative fiction at the time, a philosophical tale inducing meditation about the conditions of virtue and happiness ... The Histoire véritable would also raise, in the story’s framework, questions to which L’Esprit des lois would try to respond: how to reconcile relativism and norms of universal justice, articulate uniformity and diversity, find constancy in change? To this degree, the work would be, as Alberto Postigliola put it, an “epistemological prelude” to its author’s major work’ (Carole Dornier in Dictionnaire Montesquieu).