DOLLMAN, Francis C.
Examples of antient pulpits existing in England, selected and drawn from sketches and measurements taken on the spot, with descriptive letter-press.
4to, pp. 32, with 30 litho plates of which 3 are colour printed in red, green and gold, some foxing; nicely printed by Whittingham with a characteristic title-page in red and black with ornamented initials, original blindstamped cloth, rebacked.
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Examples of antient pulpits existing in England, selected and drawn from sketches and measurements taken on the spot, with descriptive letter-press.
First edition of this scholarly study of gothic pulpits by a student of the elder Pugin.
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UNIQUE? [BEWICK, Thomas?]
Twenty-six rubbings from engraved woodblocks of the heads of Kings and Queens and England, apparently never published in this form.
Twenty-six apparently unrecorded wood-engravings – heads of the monarchs of England from William the Conqueror to George III – these images taken by rubbing from the blocks rather than printing. The engravings bear strong similarity to the 26 which appear in An Abridgement of the History of England … by Dr. Goldsmith … with Heads by Bewick (London, 1803), of which Thomas Bewick apparently bought a copy on 20 April of that year: his account book records a ‘Parcel / Goldsmith Hisy Engd / Grafton Piccy 4s d.’ (A Provisional Checklist of the Library of Thomas Bewick, by David Gardner-Medwin, item 1, online).
[MASS.]
Cerimonie piu’ notabili della messa privata; Cavate dalle rubriche del Missale, ed altri autori da un Sacerdote D.C.D.M. Coll’aggiunta di quelle della messa, e vespri solenni si pei vivi, che pei defunti, col modo di servire alla messa privata. Da un’Alunno del Seminario di Torino.
An apparently unrecorded edition of this uncommon treatise on the celebration of the mass and its associated rituals. Dealing both with private (low) masses and with solemn mass and solemn vespers, the work explains the meaning and performance of the non-verbal aspects of the liturgy: genuflection, the sign of the cross, the communion of the faithful, the movements of the celebrant’s hands, the role of acolytes and thurifers (also during requiem masses), the office of the subdeacon and deacon, the use of incense, and instructions for serving at the missa privata. The woodcut on page 200 depicts the altar, annotated with numbers referring to the relevant parts of the text.