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Aspects of French Eighteenth Century Typography. A study of type specimens in the Broxbourne Collection at Cambridge University Library. With a handlist compiled by David McKitterick.
A history of French type design in the eighteenth century based on the author’s detailed examinations of French type ornaments and typefounding methods. The final chapter, on the uses of type specimens, is followed by a handlist of twenty type specimens in the Broxbourne Collection covering the period 1740 to 1800.
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Il Quadriregio. With an essay by B.H. Breslauer. Facsimile based on the edition printed in Florence in 1508.
This is the first facsimile reproduction of one of the greatest Florentine illustrated books of the Renaissance – Il Quadriregio is to Florentine book illustration what the Hypnerotomachia Poliphili is to Venetian. The only surviving work of Federico Frezzi (c. 1350–1416), bishop of Foligno, the text is an allegorical poem in the vernacular, describing a journey through four regions: Love, Satan, Vice, and Virtue. The Earl of Crawford’s copy, one of only two remaining in private hands, is reproduced here in its entirety. The prefatory essay, by Bernard Breslauer, not only treats the book, its remarkable publisher Piero Pacini, and its place in the history of Florentine book illustration, but considers how it has been assessed by the critics and art historians of the last hundred years.
SMITH, Alan G.R., ed. with an introduction by.
The Last Years of Mary Queen of Scots. Documents from the Cecil Papers at Hatfield House.
This volume draws on the great collection of Cecil Papers at Hatfield House to present, in a sequence of some forty selected documents, a startlingly immediate narrative of the intrigue and drama that inform the last act of the Scots Queen’s tragedy. The documents have been edited by Dr Alan G. R. Smith of Glasgow University, who has contributed a substantial and informative introduction to the volume. Further interest is added by the inclusion of ‘An Epitaph upon the death of … Marie’ (1604), reproduced from the unique copy at Hatfield and accompanied by an authoritative note by Dr David Rogers.