Aspects of French Eighteenth Century Typography. A study of type specimens in the Broxbourne Collection at Cambridge University Library. With a handlist compiled by David McKitterick.

The Roxburghe Club, 1982.

£120

Approximately:
US $161€132

Add to basket Make an enquiry

Added to your basket:
Aspects of French Eighteenth Century Typography. A study of type specimens in the Broxbourne Collection at Cambridge University Library. With a handlist compiled by David McKitterick.

Checkout now

A history of French type design in the eighteenth century based on the author’s detailed examinations of French type ornaments and typefounding methods. The final chapter, on the uses of type specimens, is followed by a handlist of twenty type specimens in the Broxbourne Collection covering the period 1740 to 1800.

You may also be interested in...

FREZZI, Federico.

Il Quadriregio. With an essay by B.H. Breslauer. Facsimile based on the edition printed in Florence in 1508.

This is the first facsimile reproduction of one of the greatest Florentine illustrated books of the Renaissance – Il Quadriregio is to Florentine book illustration what the Hypnerotomachia Poliphili is to Venetian. The only surviving work of Federico Frezzi (c. 1350–1416), bishop of Foligno, the text is an allegorical poem in the vernacular, describing a journey through four regions: Love, Satan, Vice, and Virtue. The Earl of Crawford’s copy, one of only two remaining in private hands, is reproduced here in its entirety. The prefatory essay, by Bernard Breslauer, not only treats the book, its remarkable publisher Piero Pacini, and its place in the history of Florentine book illustration, but considers how it has been assessed by the critics and art historians of the last hundred years.

Read more

ALEXANDER, Jonathan, and Francis WORMALD, eds..

An Early Breton Gospel Book. A Ninth-Century Manuscript from the Collection of H. L. Bradfer-Lawrence.

This ninth-century manuscript was the oldest and most important in the collection formed by Harry Bradfer-Lawrence. The book was begun by Professor Francis Wormald. He discusses the manuscript’s antecedents, both Carolingian and Merovingian, and the marked influence of Tours that points to a Breton origin, and notes the Anglo-Saxon additions made in the tenth century. The death of both owner and author left the task unfinished.

Read more