MAMMOTH-PLATE RAILWAY ENGINEERING PHOTOGRAPHS

A collection of eight albumen prints (or salt and albumen collages) from mammoth-plate negatives of railway bridges over the Seine, Sarthe and Vilaine rivers. 

France, 1864-5.

Six albumen prints, two photo-collages (lightly albumenised salt prints for the skies, albumen prints for the foreground), various sizes from 362 x 543 mm to 400 x 543 mm, all on their original mounts with printed title and credit ‘Compagnie des chemins de fer de l'Ouest’, additionally mounted on card; some occasional foxing to the printed mounts, and mild dampstains to card mounts, withal in excellent condition; one print signed and dated ‘Forest 1865’.

£30000 + VAT

Approximately:
US $37107€34787

Make an enquiry

Added to your basket:
A collection of eight albumen prints (or salt and albumen collages) from mammoth-plate negatives of railway bridges over the Seine, Sarthe and Vilaine rivers. 

Checkout now

An exceptional series of oversize prints commissioned by the Compagnie de Chemins de Fer de l‘Ouest to commemorate the construction of a series of new bridges completed 1861–1864, including the metal bridge at Orival, later destroyed in the Franco-Prussian War, and the oblique stone bridge of Corbinères with its elegant thirty-metre columns. 

L’école nationale des Ponts et Chaussées, Paris, has a group of sixteen photographs from the same series registered in 1864, with images credited to the Bisson Frères and the same ‘Forest’ who has signed one image here but is otherwise unknown.  The Bissons were known to have photographed several of the bridges under construction.  Whatever the identity of the photographer for each image, their scale and quality required great technical proficiency, matched by the quality of the prints; two of the prints here are immaculate examples of a trimmed photo-collage, using separate prints for the sky and the subject areas. 

Contents:
I. Viaduc d’Orival sur la Seine … Ligne de Serquigny à Rouen [from the East bank looking South, detail].  Albumen print, 362 x 543 mm.
II. Viaduc d’Orival sur la Seine … Ligne de Serquigny à Rouen [complete view] Albumen print, 362 x 543 mm.
III. Viaduc de Langon sur la Vilaine … Ligne de Rennes à Redon.  Two-part photo-collage, comprising a salt print with a light albumen coating for the sky area with a trimmed albumen-print scene laid over it, the whole 362 x 543 mm.
IV. Viaduc sur la Sarthe à Noyen … Ligne du Mans à Angers.  Albumen print, 354 x 547 mm.
V. Viaduc sur la Sarthe à la Suze … Ligne du Mans à Angers.  Albumen print, 387 x 541 mm.
VI. Viaduc sur la Sarthe à Loutinière … Ligne du Mans à Angers. Albumen print, 387 x 543 mm.
VII. Viaduc de Cambrée sur la Vilaine … Ligne de Rennes à Redon.  Two-part photo-collage, comprising a salt print for the sky area with a trimmed albumen-print scene laid over it, the whole 362 x 543 mm.
VIII. Entrée du Souterrain de Corbinières (Côte de Paris) … Ligne de Rennes à Redon. [with a bridge over the Vilaine].  Albumen print, 400 x 543 mm.

A full list with condition reports is available on request.

You may also be interested in...

THE FIRST WRITTEN ACCOUNT OF THE CAPUCHIN MISSION TO MARANHAO, BRAZIL ABBEVILLE, Claude d’.

Histoire de la mission des peres capucins en l’isle de Maragnan et terres circonvoisines ou est traicte des singularitez admirables & des meurs merveilleuses des Indiens habitans de ce pais avec les missives et advis qui ont este envoyez de nouveau ...

Second edition, enlarged and revised from the first edition published earlier the same year, a handsome copy. The first written account of the Capuchin mission to Maranhão, an island on the coast of Brazil, of which, Sabin notes, this is the earliest mention. In 1612 the mission, composed of the French Capuchins Yves d’Evreux, Arsène de Paris, Ambroise d’Amiens, and Claude d’Abbeville, accompanied Daniel de la Rivardière’s expedition to settle Maranhão. Relations between the French and the local Tupi people were good and the Capuchin mission initially successful. Arsène and d’Abbeville soon returned to France accompanying six important Tupi, portraits of whom, in European dress, can be found in this account. The Tupi ambassadors caused a sensation in Paris, where curious crowds flocked to see them and ‘the Histoire de la mission seems to have been printed very quickly in order to take advantage of the presence in Paris of the six Tupi from Maranhão ... It appears that the first edition was soon out of print, and a second was printed. This was published with the misprints corrected, and a more extensive index was compiled and printed in 35 pp. in double cols’ (Borba de Moraes, trans.).

Read more