Catalogue des estampes des plus grands maitres, tableaux, bagues, livres, vases, idoles, &. qui composent la collection de Mr. Charles Michetti.

Vienna, 1790.

Small 4to, pp. viii, 120, with woodcut vignette on title; preliminary and last leaves with some light spotting, but a good copy in contemporary grey wrappers, spine worn. Faint Donaueschingen library stamp on title. Inscribed ‘pour Monsieur le Baron de Beroldingen’, possibly from the author.

£350

Approximately:
US $427€396

Make an enquiry

Added to your basket:
Catalogue des estampes des plus grands maitres, tableaux, bagues, livres, vases, idoles, &. qui composent la collection de Mr. Charles Michetti.

Checkout now

First edition. Description of the cabinet assembled by Charles Michetti in Vienna. Michetti stresses in his introduction that his collection was put together not for financial gain but because he liked the look of the pieces and appreciated their artistic merit. The bulk of the collection is made up of prints but there are also paintings, Etruscan vases, jewellery, a microscope from England, and a collection of books, particularly strong in the arts.

No copy in RLIN or OCLC.

You may also be interested in...

PFYFFER VON WYHER, Ludwig.

Panorama oder Zirkel-Aussicht vom Rigi Berg. Guide des voyageurs sur le mont Righi.

Fine panorama giving a 360-degree view from the Rigi Mountain in Switzerland, with four individual views engraved in the corners: a view of the mountain from the valley; a view of the cottage at the top; a view from a higher mountain down to the Rigi; and a larger scale map. This is a fine survival from the time mountaineering was in its infancy. Twenty years later Turner climbed the mountain and painted his series of fine watercolours. Mark Twain visited in 1878 and wrote extensively about the mountain.

Read more

LAOCOON ENGRAVED REZZONICO, Carlo Castone della Torre di.

Discorsi accademici del conte … segretario perpetuo della R. Accademia delle Belle Arti. 

First and only edition of an exquisite little product of the Bodoni house: Count Rezzonico’s reflections on the fine arts, including a dissertation on the techniques of woodcut and engraving.  The Neo-Classical aesthetics that inform this work are reflected in the illustrations, masterfully executed by the painter, engraver and stucco artist Benigno Bossi.  Perhaps the most remarkable is the depiction of the marble Laocoon, which had been made by Lessing the symbol of the aesthetic autonomy of poetry and painting.

Read more