Catalogue des estampes des plus grands maitres, tableaux, bagues, livres, vases, idoles, &. qui composent la collection de Mr. Charles Michetti.

Vienna, 1790.

Small 4to, pp. viii, 120, with woodcut vignette on title; preliminary and last leaves with some light spotting, but a good copy in contemporary grey wrappers, spine worn. Faint Donaueschingen library stamp on title. Inscribed ‘pour Monsieur le Baron de Beroldingen’, possibly from the author.

£350

Approximately:
US $439€412

Make an enquiry

Added to your basket:
Catalogue des estampes des plus grands maitres, tableaux, bagues, livres, vases, idoles, &. qui composent la collection de Mr. Charles Michetti.

Checkout now

First edition. Description of the cabinet assembled by Charles Michetti in Vienna. Michetti stresses in his introduction that his collection was put together not for financial gain but because he liked the look of the pieces and appreciated their artistic merit. The bulk of the collection is made up of prints but there are also paintings, Etruscan vases, jewellery, a microscope from England, and a collection of books, particularly strong in the arts.

No copy in RLIN or OCLC.

You may also be interested in...

[SOCIETY OF ARTISTS.]

A Catalogue of the Pictures, Sculptures, Models, Designs in Architecture, Drawings, Prints, &c. Exhibited by the Society of Artists of Great-Britain, at their New Room, near Exeter-Exchange, Strand. April the twenty-fifth, 1774, the fifteenth Year of exhibiting …

First edition of the Catalogue for the selling exhibition of 1774. The Society of Artists emerged in 1760 as a loose association of artists, including Joshua Reynolds and Francis Hayman, who wanted greater control over exhibitions of their work than they experienced under William Shipley’s Society of Arts (est. 1754). They held an alternative exhibition in London, May 1761, and in 1765 obtained a Royal Charter as the ‘Incorporated Society of Artists of Great Britain’. By 1774, however, the leading artists had joined the more prestigious Royal Academy, founded in 1769, although there are still examples here of paintings contributed by George Stubbs (‘A portrait of a horse’) and Joseph Wright of Derby (his celebrated ‘The old man and death’).

Read more

GARGIULO, Raffaele.

Cenni sulla maniera di rinvenire i vasi fittili Italo-Greci. Sulla loro costruzione, sulle loro fabbriche più distinte e sulla progressione e decadimento dell’arte vasaria ... seconda edizione riveduta e corretta con l’aggiunta di nuove osservazioni.

Second, revised and enlarged edition (first 1831), illustrated with sixteen handsome engraved plates.

Read more