Lithograph in colour, 42 x 25in (106.7 x 63.5cm); folds visible, small chip to bottom and top margins; signed 14/1198 D. von H..’, stamped ‘Centrale Commissie voor Filmkeuring’ with seal; unbacked, very good.
US $403 €332
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10 Dagen Die De Wereld Deden Wankelen.
A rare lithograph of Pieck’s dramatic illustration for Ten Days that Shook the World (October in English), a silent film commissioned by the Soviet government to commemorate the 10-year anniversary of the October Revolution. Made by the director of Battleship Potemkin (1925), Sergei Eisenstein, the film utilized the concept of intellectual montage in order to juxtapose unrelated images in order to highlight the jingoistic patriotism promoted in the USSR during the period. The film was not commercially successful, and the government did not appreciate the artistic licence taken by Eisenstein with regards to the historical significance of the event depicted. However, Eisenstein’s groundbreaking use of montage and his subversion of the film’s original propagandistic purpose were regarded as an artistic triumph.
Pieck was a Dutch artist who worked turned to Soviet Intelligence in the 1930s. He was arrested in 1941 by the Germans due to his involvement with the Dutch resistance and sent to Buchenwald. He died at the Hague in 1972.
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SECOND, ENLARGED EDITION OF A BEST-SELLING ACCOUNT OF RUSSIA AND THE CRIMEA ON THE EVE OF THE CRIMEA OLIPHANT, Laurence.
The Russian Shores of the Black Sea in the Autumn of 1852 with a Voyage down the Volga, and a Tour through the Country of the Don Cossacks ... Second Edition – Revised and Enlarged.
Second edition, revised and enlarged. The diplomat and traveller Oliphant (1829-1888) and his companion Oswald Smith journeyed through Russia and the Crimea shortly before the outbreak of the Crimean War, and his overview of the region also includes details of visits to Nizhnii Novgorod (which is depicted in the frontispiece) and other Russian cities, including Sevastapol, which Oliphant and Smith entered in disguise in order to map its fortifications. Nerhood considers that Oliphant ‘describes places and people in an informative way, especially the long journey down the Volga River, with its peculiar means of transportation and the peoples along its banks’, and this, together with the approach of the Crimean War (which led Lord Raglan to approach Oliphant for information), ensured the work’s popularity. The first edition appeared in late 1853 as the Crimean War broke out (an advertisement on p. 10 of The Times of 25 October 1853 describes it as ‘preparing for publication’) and this second edition was published shortly afterwards (the preface is dated December 1853), with an additional chapter, since ‘[t]he Eastern Question has now assumed so serious an aspect, that facts connected with the Russian Shores of the Black Sea, which at the period of my visit in 1852 were devoid of any special political interest, are invested with the utmost importance, for it is possible that the southern portion of the Empire may shortly become the theatre of war, and considerations, the value of which I scarcely appreciated a few months ago, have since occurred to me as possessing strong claims upon our attention’ (p. [v]). Third and fourth editions, which were reprints of this second edition, appeared in 1854.
[KRAG, Niels, editor.]
NICOLAUS, of Damascus. Ex Nicolai Damasceni universali historia seu de moribus gentium libris excepta Iohannis Stobaei collectanea, quae Nicolaus Cragius latina fecit, et seorsum edidit.
First edition thus. Comprises observations on the customs of different peoples (Iberians, Celts, Phrygians, Assyrians, Spartans and so on) from the Augustan historian Nicolaus of Damascus’ Universal history, only fragments of which have come down to us (in this case via Stobaeus). The text is printed here in the original Greek together with a Latin translation by the Danish historian and philologist Niels Krag (or Cragius, c. 1550–1602).