THE 'FATHER OF THE BEATS'
REXROTH, Kenneth.
An Autobiographical Novel …
Garden City, NY, Doubleday & Company, Inc., 1966.
8vo, pp. xi, [1]; 367, [1]; publisher’s black cloth, green glazed dust-jacket; a fine copy in a very good jacket (spine sunned), a few small nicks; bookplate of the BBC broadcaster D. G. Bridson, with a few passages marked in pencil and corresponding list of page numbers at the end.
£300
US $403 €356
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First edition, inscribed ‘In friendship / for Geoffrey Bridson / Kenneth Rexroth SF June 66’.
An Autobiographical Novel covered the years up to 1927 when Rexroth settled in San Francisco at the age of 22. ‘He gives the impression of having “done or written or painted or seen” enough to fill several lifetimes. He has written poems which were to win acclaim upon their publication forty years later, constructed his own mystique for nonobjective painting, met everyone--or almost everyone--in the worlds of avant garde art, radical politics, bootlegging, jazz and Negro nationalism. He shared a jail cell with a Chicago gangster for several months, a blanket with a Navaho princess for several nights, and a hotel room with an Indian revolutionary singer for several weeks’ (Kirkus, June 1965).
Bridson had first met Rexroth in 1962 in Washington DC to record an ‘amusing think-piece’ (Prospero and Ariel). In 1966, Bridson went to San Francisco to record Rexroth for his forthcoming series ‘America since the Bomb’: ‘The special significance of The Beat Generation was discussed by Kenneth Rexroth [in programme 8], who had watched its coming to birth in San Francisco after the Korean War. His Subculture of Secession [programme 20] brought the story of the drop-out up to date, while Beat Poetry – and After examined the nature of the work by which the Beats were best remembered, and its influence on later poetry.’
