4to. bifolium, pp. 3, [1 blank], very light foxing and inkspots in places, creased and with central folds, but in good condition.
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Subscription list for repairs to the College Chapel.
A printed appeal from University College, signed by the Master Frederick Charles Plumptre (1796-1870), for funds to improve the interior of the Chapel, with an admission that ‘the College has no funds whatever to devote to such a purpose’. The list of subscribers contains some ninety names.
The improvements will include ‘a new East Window, which will necessitate, in the Architect’s judgment, a considerable and expensive alteration of the Roof internally, as well as the reparation of the East Wall: it is also very desirable to admit more light, by opening a Window on the South side. A plan of these and other, almost necessary, alterations has been furnished by Mr. G. G. Scott, and the estimate of the cost, with the Stained Glass for the new East Window, is at least £1700’. Sir George Gilbert Scott (1811-1878) had just designed the Library at University; his alterations to the Chapel still survive. A photograph by Fox Talbot, taken in 1843, shows the Chapel’s exterior with the original seventeenth-century window and its unusual tracery.
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Instituzioni delle sezioni coniche … con l’aggiunta in fine d’altre dimostrazioni.
Uncommon third edition with numerous marginal annotations to the first part, of Guido Grandi’s important study of conic sections, first published in 1722.
Cerimonie piu’ notabili della messa privata; Cavate dalle rubriche del Missale, ed altri autori da un Sacerdote D.C.D.M. Coll’aggiunta di quelle della messa, e vespri solenni si pei vivi, che pei defunti, col modo di servire alla messa privata. Da un’Alunno del Seminario di Torino.
As far as we are aware unrecorded edition of this uncommon treatise on the celebration of the mass and its associated rituals. Dealing both with private (low) masses and with solemn mass and solemn vespers, the work explains the meaning and performance of the non-verbal aspects of the liturgy: genuflection, the sign of the cross, the communion of the faithful, the movements of the celebrant’s hands, the role of acolytes and thurifers (also during requiem masses), the office of the subdeacon and deacon, the use of incense, and instructions for serving at the missa private. The woodcut on page 200 depicts the altar, annotated with numbers referring to the relevant parts of the text.
The text itself appears first to have been published around the turn of the century; the earliest issue in SBN is a Naples printing of 1701, but that claims to be ‘novamente riviste, ed accresciute’, and is only of 134 pages in 12s. Other editions appeared in Pavia, Turin, and Modena, while Venetian printings were issued in 1739 and 1750. All seem very scarce.
Not in OCLC, which records only a Venice printing of the same year (in the Polish Union Catalogue); SBN does not record this edition.