AN ‘ENGLISH’ ROMANCE, THE ROXBURGHE COPY L’Histoire Palladienne, traitant des gestes & genereux faitz d’armes et d’amours de plusieurs grandz princes et seigneurs, specialement de Palladien filz du roy Milanor d’Angleterre, & de la belle Selerine sœur du roy du Portugal: nouvellement mise en nostre vulgaire Françoys …
Paris, Estienne Groulleau, 1555.
A FINE SERIES OF ETCHINGS DEPICTING LATE-NINETEENTH-CENTURY CHELSEA, LIMITED TO 110 COPIES Bits of Old Chelsea. A Series of Forty-One Etchings ... with Letterpress Description by Lionel Johnson and Richard le Gallienne
London: Ballantyne, Hanson & Co. for Kegan Paul, Trench, Trubner & Co., 1894.
THE GODMERSHAM PARK-CHAWTON COPY, READ BY JANE AUSTEN?
WITH JOHN NEWTON’S SUPPRESSED PREFACE
Poems … London: printed for J. Johnson … 1782. [With:]
_________. The Task, a Poem, in six Books … To which is added … An Epistle to Joseph Hill … Tirocinium, or a Review of Schools, and the History of John Gilpin. London: Printed for J. Johnson … 1785.
A voyage to the South Sea . . . for the purpose of conveying the bread-fruit tree to the West Indies, in his majesty’s ship the Bounty, commanded by Lieutenant William Bligh. London, George Nicol, 1792 [including] A narrative of the mutiny, on board his majesty’s ship Bounty; and the subsequent voyage of part of the crew, in the ship’s boat, from Tofoa, one of the Friendly Islands, to Timor, a Dutch settlement in the East Indies. Written by Lieutenant William Bligh.
London, George Nicol, 1790.
A satirical Poem. In which are contain’d the humorous Transactions, Speeches, and Behaviour of the Guests who were present at the Ceremony and Entertainment …
London: Printed by W. James … 1732.
THE MADNESS OF KING GEORGE [MENDHAM, Thomas].
The wonder working Water-Mill displayed with its Apparatus, Appurtenances, Appendages, and Operations; or, the Mill to grind old People young; erected and practised by the well known Doctor, the learned philanthropic Friend of Farmer Hodge …
First and only edition, very rare, of this eccentric, provincially printed allegory: Pilgrim’s Progress meets Tristram Shandy.
LAOCOON ENGRAVED REZZONICO, Carlo.
Castone della Torre di. Discorsi accademici del conte … segretario perpetuo della R. Accademia delle Belle Arti.
First and only edition of an exquisite little product of the Bodoni house: Count Rezzonico’s reflections on the fine arts, including a dissertation on the techniques of woodcut and engraving. The Neo-Classical aesthetics that inform this work are reflected in the illustrations, masterfully executed by the painter, engraver and stucco artist Benigno Bossi. Perhaps the most remarkable is the depiction of the marble Laocoon, which had been made by Lessing the symbol of the aesthetic autonomy of poetry and painting.
WOOD, John George.
The Principles and Practise of Sketching Landscape Scenery from Nature, systematically arranged and illustrated by numerous examples, from simple and easy subjects, to the more complicated and difficult combinations of objects. In four parts.
First edition of J. G. Wood’s last and most ambitious drawing book. Wood was a landscape painter speciallising in watercolour and exhibited at the Royal Academy between 1793 and 1811. Here his drawing lessons deal with sketching cottage scenery, trees and woods, village streets, and general views incorporating grandiose landscape settings and glimpses of houses and villages. Some plates have faint perspective lines drawn on to enable the student to understand the correct perspective.