Comedies, Tragi-comedies, with other Poems … the Ayres and Songs set by Mr Henry Lawes, Servant to his late Majesty in His public and private Musick …

London, Printed for Humphrey Moseley … 1651.

8vo., pp. [122, wanting the blank leaf **8], 148, [4], 306, 301-320, with the very scarce copperplate portrait frontispiece by Lombart (supplied), facing an eighteenth century copy by Richardson; neat repair to blank lower corner of I2; a fine copy with good margins although the side-note on b2 has been cropped; late nineteenth-century panelled calf, rebacked with original spine, edges gilt, morocco labels.


US $2283€1941

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First edition of the witty and elegant drama and verse of a celebrated ‘son of Ben’, who said ‘My son Cartwright writes like a man’. According to Evelyn, Charles I reckoned The Royall Slave ‘the best that was ever acted’ after he saw it as the main entertainment on the royal progress to Oxford in 1636. When Cartwright died young of camp fever at Oxford in 1643, he was mourned personally by Charles, who wore black on the day of his funeral. No fewer than fifty-six commendatory poems by Katherine Philips, Henry, Thomas and Francis Vaughan, Izaak Walton, John Fell, James Howell et al. preface the work.

This volume ‘is the sole authority for three of the four plays and for about half of the minor poems’, and it forms the basis of the standard modern edition (ed. G. Blakemore Evans, Madison, Wisconsin, 1951). Evans provides an elaborate bibliographical introduction (modified in part in 1957 by W. W. Greg), for a ‘perplexing’ book which underwent considerable adjustment and correction in the press. Our copy, with the exception of the missing blank **8, is complete and includes the duplicate leaves U1-3 with blank spaces where 18 royalist lines were removed. The directions to the binder (usually cropped) are present at the foot of ¶1r and ****1r.

Wing C 709; Hayward 104; Greg, III, 1029-31.

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[BOISROBERT, François le Métel de.]

La vraye Didon, ou La Didon chaste. Tragédie. Paris, Toussaint Quinet, 1643.

4to, pp. [viii], 79, with small woodcut arms on title, woodcut headand tail-pieces and initials. [Bound with:][BOISROBERT, François le Métel de.] Cassandre, Comtesse de Barcelone. Trage-comédie. Paris, Augustin Courbé, 1654.

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I. Boisrobert’s only tragedy. In his preface he ‘insists that he will restore the historical Dido, long eclipsed by “that fabled Dido whom Virgil treated so poorly”. “In all the histories”, he explains, “I find her to have been as innocent as she was beautiful”, a queen who embraced death rather than violate the pledge that she made to her husband’s ashes. Boisrobert repeatedly compares his chaste Dido to his dedicatee, the comtesse de Harcourt; in “overthrowing the error and calumny of several centuries”, he reaches out to an audience of
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