ON SUNDIALS. ANNOTATED BY THE AUTHOR’S COLLABORATOR.

Opus de compositione et usu multiformium horologiorum solarium pro diversis mundi regionibus, idq[ue] ubique locorum tam in superficie plana horizontali, quam murali quorsumcumq[ue] exposita sit, pertractans ... Nunc primum in lucem prodit.

Venice, Francesco de Franceschi, 1570.

4to, pp. [viii], 110, [2]; woodcut device to title, engraved initials, tables and woodcut diagrams throughout; minute hole to K2 (not touching text), light foxing to quire M, a few small marks, otherwise an excellent copy in modern dark brown calf, covers panelled and ornamented in blind and lettered with author, title and date; extremities lightly rubbed; two leaves of contemporary manuscript notes bound before title (quite fragile, some holes where ink has eaten paper away, some bleed through), inscriptions and occasional marginal notes (see below).

£3750

Approximately:
US $5152€4394

Make an enquiry

Added to your basket:
Opus de compositione et usu multiformium horologiorum solarium pro diversis mundi regionibus, idq[ue] ubique locorum tam in superficie plana horizontali, quam murali quorsumcumq[ue] exposita sit, pertractans ... Nunc primum in lucem prodit.

Checkout now

Scarce first edition of Padovani’s treatise on sundials, providing illustrated instruction on the use of various horizontal and vertical sundials and on calculating latitude, this copy owned and annotated by the author’s friend and collaborator Johannes Andrea de Muscis. A second edition appeared in 1582.

Padovani was an Italian mathematician, astronomer, and musical theorist from Verona, a student of Pietro Pitati, and the author of numerous works relating to time. The owner and annotator of this copy gives his name at the head of the title-page as ‘Jo. Andrea de Muscis’, describing himself as ‘coadiutor huius auctoris’. He provides more detail in a note below the imprint: ‘Mortuus est hic sodalis meus ... an[n]o d. MDCXIIII q. ad supputandas has tabulas fui coadiutor’. So de Muscis assisted Padovani in the computation of the numerous tables which embellish the text, giving latitudes of European cities, data for spacing hour markers, occidental and oriental declinations and altitudes. On two leaves bound before the title-page, de Muscis has added detailed notes providing clarification on using the printed tables of declination, headed ‘Sumariu[m] in tabulis pro declinatione muri ta[m] ad ortu[m] q[uam] ad occasu[m] platitudine 45 graduu[m]’, ending with a brief summary (‘Breuis supradictoru[m] repetitio’). These notes again indicate de Muscis’s close relationship with the author, of whom he writes, ‘hic bonus vir amicus meus, cu[m] quo stricte conversabam et sepissime de hac re adlocutus sum ... bene docuit varia componere horologia’. The few notes within the text in de Muscis’s hand include one correcting two dates in accordance with Gregorian calendar reform, and another annotating the diagram on p. 41.

Provenance: Johannes Andrea de Muscis, about whom we have not been able to discover any further particulars; signature of Giuseppe Laurenti to title-page; note of acquisition to rear free endpaper, ‘Compro a di 3 Marzo 1608 ...’.

EDIT16 CNCE 27991; Houzeau & Lancaster, 11375 (belle édition, rare); Riccardi I.II, 232 (bella e rara ediz.); USTC 846034. COPAC records copies at Oxford and the National Library of Scotland only.

You may also be interested in...

WALCOTT, John.

The Figures, Description, and History of exotic Animals, comprised under the Classes Amphibia and Pisces of Linnaeus.

First and only edition, very rare, published in parts. The engraved figures and their descriptions comprise a variety of turtles, snakes, frogs, and fish, including several notable species from America. Though Walcott writes in his preface of the prospect of ‘a Second Part, which will contain the remainder of such foreign animals as are known to us’, none was ever published.

Read more

PALLADIO’S VITRUVIUS VITRUVIUS, and Daniel BARBARO.

De architectura libri decem, cum commentariis … multis aedificiorum, horologiorum, et machinarum descriptionibus, & figuris, una cum indicibus copiosis, auctis & illustratis.

First Latin edition of Barbaro’s influential commentary, written in collaboration with and finely illustrated by Palladio; ‘the culmination of the Renaissance tradition of Vitruvian studies’ (Cellauri, p. 57 trans.) which ‘served as a foundational text into the next century, as well as marking the culmination of more than a century of intense scrutiny and application of Vitruvius by other architects and editors – possibly for almost two decades by Palladio’ (D’Evelyn, p. 25).

Read more