4to., pp. xxii, 69, ; with half-title and a sixteen-page list of 961 subscribers; apart from slight fraying a very good copy, uncut, in original blue-grey wrappers and tan paper spine.
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The Sorrows of Werter: a Poem …
First edition. Amelia Pickering’s ‘melancholy, contemplative poem’ (Todd) was one of a spate of works in English and German founded on Goethe’s novel, including poems by Charlotte Smith and Mary Robinson, both subscribers here. Pickering ‘gives to Charlotte a voice, if rather weakly moralistic, and to Werter suffering which is acute, credible and unhysterical’ (Feminist Companion citing ‘The Sorrows of Young Charlotte: Werter’s English Sisters’, Goethe Yearbook, 1986).
Mary Wollstonecraft, however, was not enthusiastic. ‘To pity Werter we must read the original ... The energy … is lost in this smooth, and even faithful, imitation … Werter is dead from the beginning: we hear his very words; but the spirit which animated them is fled …’ (Analytical Review, January 1789).
Speck Collection 1155.
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Poetick Miscellanies …
First edition. Writing from the isolation of Newcastle, then a rural parish in fell country, Rawlet developed a mode of religious and descriptive poetry distinctly out of step with his own age, as is acknowledged by the editor in a verse preface: ‘Reader, expect not here, the filth of th’ Stage, / Poems that please, but more debauch the Age.’ Rawlet’s poems, such as ‘On a great Thunder and Storm’, ‘On a Cross with a Crown upon it, in Burton, betwixt Lancashire and Kendale’, and ‘On the sight of Furness Fells’, while looking back to Herbert in their weaving of the spiritual and the physical, please more by their anticipation of the topographical and sentimental concerns of the succeeding century.
[BYRON, George Gordon, Lord].
Lara, a Tale. [and] Jacqueline, a Tale [by Samuel Rogers].
First edition, Randolph’s fourth variant (with the crooked roman numeral on p. 82 and the fallen period on p. 20). By 1814 Byron was heavily pressed by debts, having previously refused payment for his poems. For Lara, the fourth of Byron’s Levantine poems, published on the back of The Corsair (‘The reader … may probably regard it as a sequel to a poem that recently appeared’), he accepted Murray’s offer of £700, thenceforth driving hard bargains for copyrights to his work. Jacqueline had previously been printed for private circulation; Lara appears here for the first time.