8vo, pp. viii, 80; with 4 fine engraved plates (including the engraved title-page) by Bossi, and several finely-engraved vignettes; text within printed borders; a little faint age-toning, but a fine copy in contemporary mottled sheep, gilt triple fillet to sides, flat spine gilt with fleurons, red morocco lettering-piece; small wormholes to spine, a couple of small abrasions to the sides, one touching the gilt fillets.
Added to your basket:
Discorsi accademici del conte … segretario perpetuo della R. Accademia delle Belle Arti.
First and only edition of an exquisite little product of the Bodoni house: Count Rezzonico’s reflections on the fine arts, including a dissertation on the techniques of woodcut and engraving. The Neo-Classical aesthetics that inform this work are reflected in the illustrations, masterfully executed by the painter, engraver and stucco artist Benigno Bossi. Perhaps the most remarkable is the depiction of the marble Laocoon, which had been made by Lessing the symbol of the aesthetic autonomy of poetry and painting.
You may also be interested in...
[RENNEVILLE, Sophie de?].
Contes a Aglaé, ou la jeune moraliste.
Very uncommon edition, possibly the first, of this collection of educational contes moraux, sometimes attributed to the prolific children’s author and journalist Sophie de Renneville (1772-1822). Aimed at children of both sexes, the book contains sixteen short contes on subjects ranging from first communion and eternal regrets to bank notes and true happiness. Some of these themes are illustrated in the attractive hand-coloured plates.
Not in OCLC; the only copies we have traced of the work have 178 pages, and only fourteen of the contes, at the BnF, Bodleian, and the Enoch Pratt Free Library in Baltimore.
LA BLANCHÈRE, Henri de.
L’art du photographe comprenant les procédés complets sur papier et sur glace négatifs et positifs.
Second edition revised and enlarged (first 1859), rare.