16mo. in eights, pp. , 280, engraved title-page (foxed) by J. Gellatly after J. M.W. Turner; Mauchline binding in ‘Caledonian’ Tartan boards, red leather spine, gilt edges, a fine example. Stereotyped and printed by Stevenson & Company, 32 Thistle Street, Edinburgh.
US $944 €837
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The Lady of the Lake … with all his Introductions and Notes, various Readings, and the Editor’s Notes.
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Stanzas congratulatory, addressed to the Borough of Gateshead on the eve of her Reform Festival.
A verse lampoon written after the creation of the new Parliamentary borough of Gateshead by the Reform Act of 1832, and on its new MP Cuthbert Rippon and the local reformer William Henry Brockett.
VALENTINE, James (photographer).
Album of Scottish views, mainly of Stirling and surroundings.
A handsome example of a topographical view album by the Scottish photographer James Valentine, focusing on Stirling and the surrounding areas.
The images include ‘Stirling Castle from King’s Knott’ and several other views of Stirling Castle, ‘Vale of Monteith from Stirling’; ‘Bruce statue looking to Wallace’; ‘Windings of the Forth and Abbey Craig, Stirling’; ‘King Street, Stirling’; ‘Cambuskenneth Abbey and tomb of James III’; ‘Field of Bannockburn from Gillies Hill’; ‘On the Allan Water’; ‘Kier House’; ‘Dunblane Cathedral from river’; ‘Doune Castle’; ‘Callander from west’; ‘Silver Strand, Loch Katrine’; ‘Ellen’s Isle and Ben Venue, Loch Katrine’; ‘Luss Pier, Loch Lomond’; ‘Camstradden Bay, Loch Lomond’; and ‘Inversnaid Falls’.
James Valentine (1815–1879) was an engraver and photographer from Dundee who was one of the original members of the Edinburgh Photographic Society, founded in 1861. By the end of the 1850s he had established himself as a portrait photographer and then, after instruction under Francis Frith in Reigate, Surrey, he began to photograph landscapes as well.
He converted a barouche into a mobile dark-room and travelled around Scotland building a portfolio of topographical views which brought him to Queen Victoria’s attention in 1864 and eventually led to him being granted a royal warrant in late 1867. As ‘photographer to the Queen’ he sold individual albums, such as the present one, for prices ranging from half a guinea to 12 guineas aimed at upper and middle class tourists. James Valentine had two sons who followed him into the business and were constantly experimenting with new techniques; the firm became the longest-running photographic publishers in Britain.