3 vols., small 8vo., portrait in vol. I and frontispiece plate in vol. II, folding plan of The Leasowes, fine engraved head and tail-pieces; a fine copy in contemporary pale calf, morocco labels; bookplates of Sir Edmund Antrobus.
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The Works, in Verse and Prose… in three Volumes … Fifth Edition …
Fifth edition of the Works (1764), the first edition of which was planned by Shenstone but published after his death, with Robert Dodsley’s description of Shenstone’s important garden at The Leasowes, one of the first natural landscape gardens in England and one of the most influential, and with the third volumes of letters added in 1769.
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THE NEWARK PIRATE’S SURREPTITIOUS REPRINT BYRON, George Gordon, Lord.
Poems original and translated … Second Edition.
Unacknowledged reprint of the ‘second’ [i.e. first] edition of Poems original and translated, printed by Ridge without Byron’s permission. As the first printing ran out Ridge told Byron that he had reprinted some sheets to make up a few more copies; in fact he was to continue to reprint the whole volume surreptitiously on paper watermarked 1811. John Murray later noticed either this imposture or the spurious ‘large paper’ copies of Hours of Idleness, and informed Byron who replied, ‘I have no means of ascertaining whether the Newark Pirate has been doing what you say – if so – he is a rascal & a shabby rascal too – and if his offence is punishable by law or pugilism he shall be fined or buffeted’ (5 February 1814).
John Woodvil a Tragedy ... to which are added, Fragments of Burton, the Author of the Anatomy of Melancholy.
First edition. John Woodvil was Charles Lamb’s first play (or dramatic poem), regarded by him at one time as his ‘finest effort’, a ‘medley (as I intend it to be a medley) of laughter and tears, prose and verse, and in some places rhyme, songs, wit, pathos, humour, and, if possible, sublimity’ (Lamb to Southey, 28 November 1798). He began it in August 1798 and considered it ‘finish’t’ in May 1799, but continued to tinker with it for nearly three years. John Philip Kemble declined it for production at Drury Lane in 1800, and it was never acted.