4to., pp. 24; last page a little duty but a very good copy in modern quarter green morocco; bookplate of Percival F. Hinton. From the library of Dr. Bent Juel-Jensen.
US $565 €458
First edition of Warton’s second publication, preceded by Five Pastoral Eclogues (1745), and written at that time, though Warton also contributed to his brother Joseph’s Odes on various Subjects (1746). The Pleasures of Melancholy was Warton’s first major poem, a meditative blank-verse work more referred-to than read, with a debt to Milton and several nods to Pope, and helped to establish his reputation.
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Poems on several Occasions.
First authorised edition, preceded by Curll’s pirated collection of 1707. In the preface Prior complains that in Curll’s edition poems by other authors have been misattributed to him and that some of his own poems are ‘transcribed … so imperfectly, that I hardly knew them to be mine’. He divides the poems here into four categories, ‘Public Panegyrics’, ‘Amorous Odes’, ‘Idle Tales’, and ‘Serious Reflections’, but ‘some of its most famous poems (Henry and Emma, An English Padlock, and Jinny the Just) do not easily fit into any one of these categories’ (Oxford DNB).
‘CELESTIAL SCENERY, ELEGIES, TALES’BY A BERMONDSEY RHYMESTER HOGG, John.
Autograph poetical manuscript, apparently unpublished, comprising a preface dated 3 April 1825 and some forty long poems.
A fascinating volume of manuscript verse by an otherwise unknown poetaster, probably based in Southwark. In his grandiloquent Preface, Hogg explains that his poems are designed to excite in the reader the pleasurable contemplation of heaven, via ‘the Study of Nature’ and of our souls. ‘Celestial Scenery, Elegies, Tales, &c will be found in this little work!’