Art & Architecture encompasses a broad sweep of material, from early works concerning architecture and architectural history, and books and manuscripts on the fine arts and aesthetics, antiquities and archaeology, to pattern and design books, and private press books and fine bindings. The department also handles original artwork, artistic archives, posters, and propaganda material.
Portrait, after Holbein the Younger, showing the scholar-printer half-length, to right, black fur-lined dress,...
The original of this celebrated portrait is lost, and it only survives in copies. There is one at Hampton Court, for example. See the account in Oliver Miller, Tudor, Stuart and early Georgian Paintings in the Royal Collection, 1963. There are two copies in the Öffentliche Kunstsammlung at Basel (357, 1910).
(FURNITURE, Trade Catalogue).
Album of original furniture designs, 80 leaves with over 125 designs, highly finished in ink and...
[Paris, c. 1840-50].
A fascinating album of original furniture designs in the Empire and Restoration styles, assembled for use as a trade catalogue, with all designs numbered in pencil and most described on the interleaved sheets (with designs numbered in ink). The furniture designs are all highly finished showing different...
Opera Hopferiana. 92 Abdrücke von Stahlplatten der Gebrüder Daniel, Hieronymus und Lambrecht Hopfer.
Frankfurt, C. W. Silberberg,
Daniel Hopfer (c.1470-1536) was one of the most important Harnischätzer (armourer and etcher of armour) in the artistic circle around Emperor Maximilian I at Augsburg. Hopfer is widely credited to be the first who transferred etching of armour to printmaking, thus becoming the inventor of etching as...
BURGESS, Walter William, artist.
Bits of Old Chelsea. A Series of Forty-One Etchings ... with Letterpress Description by Lionel...
London: Ballantyne, Hanson & Co. for Kegan Paul, Trench, Trubner & Co., 1894.
First edition, limited to 110 copies, of which 100 were for sale. This series of etchings was executed by the British engraver and painter Walter William Burgess RE (1856-1908), who exhibited at the Royal Academy between 1874 and 1903, and was elected a Fellow of the Royal Society of Painter-Etchers...
Le Mont Athos. Suite de douze eaux-fortes originales et inédites par Lyc. Kogévinas. Préface de Charles Diehl.
Paris, A la Belle Edition, .
First edition of this splendid suite of etchings of the monasteries of Mount Athos. This is number 78 of 250 suites printed (of which those numbered 1–25 are on Japon Impérial paper and those numbered 26–250 are on Holland Van Gelder paper).
La Bible, qui est toute la Sainte Escriture du Vieil et du Nouveau Testament. Autrement, l’ancienne et la nouvelle alliance....
London, R. Everingham for R. Bentley and J. Hindmarsh, 1687.
First complete edition of the Bible in French to be printed in England, in a fine Restoration binding. This Bible, in the French Geneva version, was published less than two years after the Revocation of the Edict of Nantes (22 October 1685) which saw about 50,000 French Protestant refugees move to England...
STURM, Leonhard Christoph.
Der auserlessneste und nach den Regeln der antiquen Bau-Kunst sowohl, als nach dem heutigen Gusto verneuerten...
Augsburg, in Verlegung Jeremiae Wolffens … daselbst gedruckt bey Peter Detleffen
First collected edition of this grand and important series of architectural treatises by Leonhard Christoph Sturm (1669-1719), presented as commentaries on the work of Nikolaus Goldmann, which was immensely influential in 18th century Germany.
PIEDRABUENA, Antolínez de (pseud.). Carnestolendas de Zaragoza, en sus tres días.
Zaragoza, Agustín Verges for Jusepe Alfay, 1661.
First and only edition, very rare, of this satirical picaresque novel, published under a pseudonym and attributed to a Dominican friar, Benito Ruiz. Among other things, the novel contains the description of the three-day Carnival festival held in Zaragoza in March 1660. The author sketches the feast...
ANDERSON, James (1813–1877)
Theatre of Marcellus, Rome,
Another print from the same negative is in the collection of the Musée d’Orsay.
Select views of London; with historical and descriptive sketches of some of the most interesting of its public...
London, Rudolf Ackermann, 1816.
First edition of this guide to the finest historical buildings and house interiors of London, compiling Papworth’s contributions to Ackermann’s monthly periodical, ‘The Repository of the Arts, Literature, Commerce, Manufactures, Fashions and Politics,’ for the first time. Each of the 76 plates...
[SAMBLANX]. [BAUDELAIRE]. POE, Edgar.
Vingt Histoires Extraordinaires. Illustrées par quarante et une eaux-fortes originales de...
Paris, Le Livre de Plantin, 1927
First edition of Baudelaire’s celebrated translation to appear with these striking illustrations by Alméry Lobel-Riche, his close friend who was to illustrate the whole Baudelaire canon during the 1920s and early 1930s. Lobel-Riche described Baudelaire as “le premier, le plus grand poète de la...
Istoria del viaggio d’Alemagna del serenissimo Gran Duca di Toscana Ferdinando Secondo …
First and only edition of a rare account of the journey Ferdinando II de’ Medici, Granduke of Tuscany, made to celebrate his coming of age and taking on the running of government. Ferdinando II travelled from February to July 1628 and first visited Rome to pay homage to the Pope, then Loreto, Bologna,...
[PORCELAIN] NYMPHENBURG. Abbildung der vorzüglicheren Artikel der königlichen bayerischen Porcellan Manufactur zu Nymphenburg....
A fine copy of the very rare trade catalogue of the porcelain wares available at the Royal Bavarian porcelain manufacture Nymphenburg, offered here with the original ‘price list’. This is the first trade catalogue produced at Nymphenburg and possible the earliest trade catalogues for porcelain in...
DE LA FONTAINE, Jean.
Le quatrième livre de Contes et Nouvelles.
Paris, Xavier Havermans, 1930.
Volume IV only of the four volume set of Jean de la Fontaine’s works, number 14 of fourteen copies on japon blanc nacré a la cuve, from a total limited edition of 346 copies.
Peribologia seu muniendorum locor[um] ratio.
Frankfurt, Anton Humm for the author, 1641.
First Latin edition of this monumental work on architecture and fortifications, a book produced by father and son. The imprint makes clear that the son, Johann Wilhelm, not only was responsible for the magnificent plates but also edited and published the work ‘edita sumptus et typos suppeditante Joanne...
DONI, Antonio Francesco.
Disegno … partito in piu ragionamenti, ne quali si tratta della scoltura e pittura; de colori, de getti,...
Venice, appresso Gabriel Giolito di Ferrarii, 1549.
First edition of an important art theoretical text by the polyglot scholar Anton Francesco Doni wo discusses the Renaissance concept of disegno in contomporary sculpture and painting. The book is divided into two parts, the first consists of six essays discussing disegno, the second prints a handul of...
[CANAPE and CORRIEZ]. RÉGNIER, Henri de.
La Sandale Ailée.
Paris, Société des amis des livres modernes, 1914.
Limited edition, Comte Foy’s copy, number 35 of 125 copies produced for the members of the Société of this compendium of free verse by the Mallarmé-circle symbolist poet Henri de Régnier, attractively illustrated with reproductions of watercolours by noted French artist Antoine Calbet.
Vieilles maisons boutiques & paysages de Paris. Eaux fortes originales de Ernest Laborde. Presentées par Gustave...
Paris, Jules Meynial, 1918 .
First edition, very rare: two series of 20 etchings each on the most picturesque houses and shops in Paris, produced 1911-1918 by Ernest Laborde (1870-1935).
VIAS, Balthasar de.
In clarissimum virum Nicolaum Claudium Fabricium de Peiresc ... Epicedion.
Marseille, apud Claudium Garcin, 1642
First edition of Balthasar de Vias’ elegant neo-Latin elegy commemorating the life of his friend the scholar, antiquary and collector Nicolas Claude Fabri de Peiresc (1580-1637) of Aix en Provence, the most learned man of his time.
[AUSSOURD, René] DUMAS, Alexandre.
Les Trois Mousquetaires.
Paris, Calmann Levy, 1894.
Edition de grand luxe, number 39, one of 250 copies on Chine paper, one of a 100 copies with drawings with parts of the engravings.