Art & Architecture encompasses a broad sweep of material, from early works concerning architecture and architectural history, and books and manuscripts on the fine arts and aesthetics, antiquities and archaeology, to pattern and design books, and private press books and fine bindings. The department also handles original artwork, artistic archives, posters, and propaganda material.
Ordinamento Corporativo dello Stato Fascista.
Padua, Edizione di propaganda corporative, 1935.
Italian Fascism primarily followed the economic model of corporatism to organise capital and labour interest groups into trade unions and employer associations such as agriculture, industry, commercial trade, professionals and artists, as well as banks and credit associations. These trade associations...
Printed trade label. ‘Thomas Fentham, Carver, Gilder, and Picture-Frame Maker, at No. 52, opposite Old Round...
London, after 1779 and before 1794
Thomas Fentham (1774-1808) ‘was a leading looking glass and picture framer in the Strand, whose business was carried on after his death by his son’.
Per Ingresso di Parroco.
Verona, [printed by Daldo, but privately published], 1855.
First and only edition of this booklet of verses, privately published by friends to celebrate the 50th birthday of Francesco Bazzon ‘saccerdote esemplarissimo’, a local parish priest.
FIORILLO, Johann Dominicus.
Geschichte der zeichnenden Künste, von ihrer Wiederauflebung bis auf die neusten Zeiten ...
Göttingen, bei Johann Georg Rosenbusch, 1798 [and Johann Friederich Rower], 1801-1805.
First edition. Fiorillo began as a painter, studying in Rome and Bologna, but turned to art history and became a professor at the University of Gottingen and colleague of Lichtenberg, in 1781. His erudite survey of the art of painting throughout Europe was among the first to make use of medieval documentary...
Catalogue of the celebrated Fountaine collection of Majolica, Henri II Ware, Palissy Ware, Nevers Ware, Limoges...
First day only of the Majolica sale of the Fountaine collection. Andrew Fountain (1676-1753) was ‘the predecessor of Horace Walpole as an arbiter of taste and virtu’ (ODNB). His engravings and drawings were sold in July 1884, pictures in 1894 and porcelain in 1904.
Obsessions and confessions of a book life.
[New Castle], Oak Knoll Press, Books of Kells, Bernard Quaritch, Ltd., 2012.
Reminiscences of an author, bookseller, and publisher, written at the age of eighty-eight. Colin Franklin’s newest book wanders freely through themes which have absorbed him—a lost world of publishing, adventures in bookselling, and the irreplaceable scholarly eccentrics who dominated that world...
Bibliotheca Fictiva: a Collection of Books and Manuscripts Relating to Literary Forgery 400 BC – AD 2000.
London, Bernard Quaritch Ltd, 2014.
An inventory of books and manuscripts relating to literary forgery. Spanning some twenty-four centuries, the book seeks also to define and describe the controversial genre it represents. Individual entries offer specific commentary on the forgers and their work, their exposers and their dupes. A broad...
Julia Alpinula, Pseudo-Heroine of Helvetia: How a Forged Renaissance Epitaph Fostered a National Myth.
London, The Author, 2015.
Julia Alpinula is a legendary Swiss heroine, whose pathetic fate in AD 69 inspired popular historians, dramatists, artists, and poets – including an infatuated Byron – over a period of more than two hundred years. Her very existence, however, was based entirely on a funerary inscription first published...
Portrait, after Holbein the Younger, showing the scholar-printer half-length, to right, black fur-lined dress,...
The original of this celebrated portrait is lost, and it only survives in copies. There is one at Hampton Court, for example. See the account in Oliver Miller, Tudor, Stuart and early Georgian Paintings in the Royal Collection, 1963. There are two copies in the Öffentliche Kunstsammlung at Basel (357, 1910).
(FURNITURE, Trade Catalogue).
Album of original furniture designs, 80 leaves with over 125 designs, highly finished in ink and...
[Paris, c. 1840-50].
A fascinating album of original furniture designs in the Empire and Restoration styles, assembled for use as a trade catalogue, with all designs numbered in pencil and most described on the interleaved sheets (with designs numbered in ink). The furniture designs are all highly finished showing different...
Discorsi tre sulla pittura recitati dal celebre Errico Fuseli nella R. Accademia di Londra. Traduzione dall’Inglese.
Rome, pel Fulgoni, 1804.
Rare first Italian translation of Fuseli’s Lectures on Painting, a series of three lectures delivered at the Royal Academy in 1801 and originally published in the same year. The lectures were published under Fuseli’s own superintendence in a more extended form than that in which they were delivered....
GANF, Iulii Abramovich, and P. PISKUNOV, editor.
Да здравствует конституция страны социализма!...
Moscow, Gosudarstvennoe izdatel’stvo izobrazitel’nogo iskusstva, 1953.
Typically Soviet poster illustrated by graphic artist Iuli Ganf, whose satirical work was published in magazines and newspapers such as Krokodil.
Ente radio rurale radioprogramma scolasico n. 55 del 26 febbraio 1938 XVI ore 10:30: Come si diventa aviatori.
Rome, Tumminelli & Co., 1938.
The Rural Radio Organization (EER) was instrumental in bringing political and cultural propaganda to rural communities during the Ventennio. It did so by launching a series of campaigns highlighting Italian military achievements, the technological advancements of modern warfare, historical programming...
Catalogue raisonné de toutes les pieces qui forment l’oeuvre de Rembrandt … avec le augmentations nécessaires...
Paris, chez Hochereau, 1751.
YVER, Pierre. Supplement au catalogue raisonné de M.M. Gersaint, Helle & Glomy de toutes les pieces qui forment l’oeuvre de Rembrandt. Amsterdam, chez Pierre Yver, Marchand de Tableaux & d’Estampes, 1756.
Intorno alla iscrizione puteolana de’ Luccei osservazioni ...
Naples, Stamperia Reale, 1851.
First edition. Gervasio attempts a new interpretation of an ancient inscription discovered in Pozzuoli.
GOLDEN COCKEREL PRESS – Christopher SANDFORD, Anthony SANDFORD, and Owen RUTTER.
Chanticleer. A Bibliography of the Golden Cockerel...
London: The Golden Cockerel Press, 1936.
First edition, no. 103 of 300 specially-bound copies signed by Christopher and Anthony Sandford, Owen Rutter, and Francis J. Newbery. This is the first of the four bibliographies published by the Golden Cockerel Press, and it provides a record of the press’ productions between April 1921 and...
GOLDEN COCKEREL PRESS – Christopher SANDFORD.
Cockalorum. A Sequel to Chanticleer and Pertelote. Being a Bibliography of the...
[London]: The Golden Cockerel Press, .
First edition, no. 232 of 250 specially-bound copies signed by Sandford. Cockalorum was the third of the four bibliographies of its publications that the Golden Cockerel Press issued, and it spans the period between June 1943 and December 1948. During this time, as Sandford records in his...
GROSSI, G. B. Gennaro.
Le Belle Arti.
Naples, dalla tipografia del Giornale Enciclopedico, 1820.
First edition in book form, reprinted from the Giornale Enciclopedico di Napoli, with some additional material in an appendix to the second volume. The first volume is on the music and musicians of Naples, the second volume deals with Neapolitan painters up to the eighteenth century.
Niclaus Manuel. Leben und Werke eines Malers und Dichters. Kriegers, Staatsmannes und Reformators im sechszehnten...
Tubingen, Cotta, 1837.
First edition of the first separate biography of the Bern painter and woodcutter Hans Rudolf Manuel Deutsch (1525-1571).
GUEVARA, Felipe de.
Comentarios de la pintura … se publican por la primera vez con un discurso preliminar y algunas notas de...
Madrid, por Don Geronimo Ortega, hijos de Ibarra Y compania, 1788.
First edition of one of the earliest Spanish treatises on painting, containing the earliest criticism of pre-Columbian art, and the earliest reference to Bosch. Guevara writes extensively about the contributions that the Americas made to art and painting (without ever denigrating it), such as the introduction...