Art & Architecture encompasses a broad sweep of material, from early works concerning architecture and architectural history, and books and manuscripts on the fine arts and aesthetics, antiquities and archaeology, to pattern and design books, and private press books and fine bindings. The department also handles original artwork, artistic archives, posters, and propaganda material.
Poliphili hypnerotomachia, ubi humana omnia non nisi somnium esse ostendit, atque obiter plurima scitu sane...
Venice, [heirs of Aldus], 1545.
Second edition, scarcer than the first (also an Aldine, published in 1499), of the most beautiful illustrated book printed in Italy in the fifteenth century. Known for its fine woodcut illustrations, mysterious meanings, and the cryptic inclusion of Colonna’s name, the Hypnerotomachia has...
The present State of the Arts in England. By M. Rouquet, member of the Royal Academy of Painting and...
London, for J. Nourse, 1755.
First edition in English, published in the same year as the French original, from the library of the great Scottish economist and philosopher Adam Smith (1723–1790).
Lichfield Cathedral, south transept portal and steps.
A fine print of one of Fenton's most striking architectural photographs, the details of the stonework given human scale, and a touch of mystery, with the figure posed half-in and half-out of the doorway. It was one of a number of images of Lichfield which 'from a restricted distance, move around the...
Portrait, after Holbein the Younger, showing the scholar-printer half-length, to right, black fur-lined dress,...
The original of this celebrated portrait is lost, and it only survives in copies. There is one at Hampton Court, for example. See the account in Oliver Miller, Tudor, Stuart and early Georgian Paintings in the Royal Collection, 1963. There are two copies in the Öffentliche Kunstsammlung at Basel (357, 1910).
[LOO, Pieter van, (attributed).]
156 watercolours of flowers, plants, and fruits.
[Holland, c. 1760-80.]
A truly stunning collection of over 150 original eighteenth-century botanical watercolours, attributed to the noted Dutch botanical artist Pieter van Loo (1731–1784).
A single folio leaf (389 x 281 mm.), containing Luke XVII:23–XIX:13 (leaf 230 of volume 2), double column, 42...
[Mainz: Printed by Johann Gutenberg & Johann Fust, c. 1450-1455, not after August 1456.]
A fine single paper leaf from the first substantial book printed with movable type in the western world, now known simply as the Gutenberg Bible or the 42-line Bible.
Les edifices antiques de Rome dessinés et mesurés très exactement ...
Paris, Jean-Baptiste Coignard, 1682.
First edition of this spectacular folio production, based on the most accurate measurements of Roman architecture of the time. Sent to Rome by Colbert in 1674, Desgodets spent sixteen months measuring the most important buildings with greater accuracy than ever before. The resulting drawings of...
DASSIER, Jean and Jacques-Antoine.
‘An Explanation of Dassier’s Medals being a Representation of a Series of Events...
London, c. 1795-1800.
An exceptionally fine illustrated manuscript, with drawings after the series of sixty medals of Roman history from Romulus to the Age of Augustus produced by Jean Dassier and his son in 1740-1743. The drawings are executed with considerable finesse, adding detailed elements not clearly visible...
Urbis Romae topographia.
Rome, Valerio & Luigi Dorico, September 1544.
First illustrated edition (third overall), showing the archaeology and antiquities of Rome as known in the sixteenth century. First published in octavo by Antonio Blado in 1534 and reprinted at Lyons by Sébastien Gryphe later the same year, Marliani’s topography of Rome remained the foremost...
FALDA, Giovanni Battista.
Li giardini di Roma con le loro piante, alzate e vedute in prospettiva, disegnate ed intagliate da Gio....
Rome, Gio. Giacomo de Rossi, [early eighteenth century?].
A later impression of these magnificent plates of nine Roman gardens by the influential engraver Giovanni Battista Falda (1643–1678). The plates offer perspectives and bird’s-eye-views of the gardens of the Vatican and Quirinal, and of the villas Medici, Farnese, Ludovisi, Montalto Peretti,...
La Bible, qui est toute la Sainte Escriture du Vieil et du Nouveau Testament. Autrement, l’ancienne et la nouvelle alliance....
London, R. Everingham for R. Bentley and J. Hindmarsh, 1687.
First complete edition of the Bible in French to be printed in England, in a fine Restoration binding. This Bible, in the French Geneva version, was published less than two years after the Revocation of the Edict of Nantes (22 October 1685) which saw about 50,000 French Protestant refugees move...
NORMAND, Alfred Nicolas.
L’architecture des nations étrangères. Etude sur les principales constructions du parc à l’Exposition...
Paris, A. Morel, 1870.
First edition. This is a presentation copy, inscribed on the half-title to the author’s friend Charles Garnier, architect of the Paris opera house that bears his name: ‘A son ami Ch. Garnier. Souvenir affectueux A. Normand’. The two men had known each other since they were both ‘pensionnaires’...
VITRUVIUS, and Daniel BARBARO.
De architectura libri decem, cum commentariis … multis aedificiorum, horologiorum, et machinarum...
Venice, Francesco Franceschi & Johann Criegher, 1567.
First Latin edition of Barbaro’s influential commentary, written in collaboration with and finely illustrated by Palladio; ‘the culmination of the Renaissance tradition of Vitruvian studies’ (Cellauri, p. 57 trans.) which ‘served as a foundational text into the next century, as...
KUTHEN ZE SPRINSBERKA, Martin.
Catalogus ducum regumque Bohoemorum in quo summatim gesta singulorum singulis distichis continentur....
[Prague, s.n.,] 1540.
First edition of a fine and rare portrait book of the Bohemian (Czech) rulers by the Czech historian Martin Kuthen ze Sprinsberka (c. 1510–1564), with brief contributions by Friedrich Nausea, Johannes Rosinus, Matouš Collinus, and Šimon Villaticus.
Album containing plates from the Grand Oppenord and several rare proof plates.
Paris, chez Huquier, [c. 1740].
An interesting album containing plates from the Grand Oppenord, Huquier’s important publication issuing the ornament designs of Oppenord in print. Oppenord (1672-1742) was an important contributor to the development of the rococo style in Europe, adapting Italian baroque ornament to suit French taste....
Ordinamento Corporativo dello Stato Fascista.
Padua, Edizione di propaganda corporative, 1935.
Italian Fascism primarily followed the economic model of corporatism to organise capital and labour interest groups into trade unions and employer associations such as agriculture, industry, commercial trade, professionals and artists, as well as banks and credit associations. These trade associations...
A street fight in Rome. A fan leaf drawing.
[Italy, late 18th century].
A fine fan leaf drawing, Italian school, late 18th century, copied from a print by Francesco Villamena of c. 1601. It depicts a street fight between Spanish and French factions in Rome with a view of the villa Mattei in the background. The original copper engraving by Villamena was dedicated to the patron...
CELALEDDIN, Mahmud (calligrapher).
[A muraqqa or calligraphic album.]
Cairo, Ministry of Public Education, 1309 AH [i.e. 1891/2].
Unrecorded album of lithographed examples of calligraphy, mixing prayers and pen exercises, reproducing the calligraphy of a Daghestani émigré to Istanbul, Mahmud Celaleddin Efendi (d. 1829), and published in Cairo by Egypt’s Ministry of Public Education.
Vieilles maisons boutiques & paysages de Paris. Eaux fortes originales de Ernest Laborde. Presentées par Gustave...
Paris, Jules Meynial, 1918 .
First edition, very rare: two series of twenty etchings each on the most picturesque houses and shops in Paris, produced between 1911 and 1918 by Ernest Laborde (1870–1935).
PARKER, Thomas Netherton.
Leaves out of the Book of a Country Gentleman.
Oswestry, W. Price, London, Longman & co., and Shrewsbury, Eddowes & Leake, 1847.
First and only edition of this very rare compilation by Parker of his farm and estate experiments and inventions, one of one hundred copies privately published, and presented by the author to the Earl of Powis.