We stock a range of antiquarian music, books on music, manuscripts and autographs, with an emphasis on early printed editions and manuscript scores of important composers.Recent catalogues have included one of a very few surviving lifetime manuscripts of Scarlatti's harpsichord sonatas; a remarkable collection of vocal and instrumental music from the library of the duchesse de Berry; and inscribed first editions of works by Berg, Janacek, Poulenc, Rimsky-Korsakov, Schumann, Shostakovich, Stravinsky and Vaughan Williams.
An Account of the musical Performances in Westminster-Abbey, and the Pantheon, May 26th, 27th, 29th; and June...
London, Printed for the Benefit of the musical Fund; and sold by T. Payne and Son ... 1785.
First edition. The Handel Commemoration Concerts of 1784, conceived the previous year by Viscount Fitzwilliam, Sir Watkins Williams Wynn and Joah Bates to celebrate the centenary of the birth of George Frederick Handel, were performances on a scale then unprecedented in England. On the morning of Wednesday...
RIDOLFI, Luca Antonio.
Aretefila, dialogo, nel quale da una parte sono quelle ragioni allegate, le quali affermano, lo amore...
Lyons, Guillaume Rouillé, 1562.
Annotated copy, once owned by a music book collector, of the third edition (first 1557) of a remarkable Renaissance philosophical dialogue on the nature of love which marked the culmination of the very divisive ‘questione d’amore’ hotly debated in sixteenth-century literature.
DELLOYE, H.-L. (editor).
Chants et chansons populaires de la France [– notices par M. du Mersan], première [– deuxième;...
Paris, Félix Locquin [– Dondey-Dupré; – Félix Locquin] for Garnier, 1843.
First edition of a finely illustrated, serially published collection of French music, broad-margined, extra-illustrated, and accompanied by the later fourth series. Formed of four series of twenty-eight issues, sold individually at sixty centimes from February 1842, the Chants et chansons populaires...
Del numero e delle misure delle corde musiche e loro corrispondenze. Dissertazione del P. D. Giovenale Sacchi...
Milan, [Giuseppe Mazzucchelli (colophon)], 1761.
First edition of Sacchi’s first work: a theoretical study of music and acoustic from a mathematical and physical perspective built upon the most innovative eighteenth-century physics. Galilei, Kapler, Newton, Mersenne, and contemporary works on the nature of air form the basis of Sacchi’s study of...
[VOGEL, Johann Christoph.]
[France (probably Paris), c. 1787].
A contemporary scribal manuscript of Johann Christoph Vogel’s opera Démophon, from the library of Christoph Willibald Gluck.
HOFMANNSTHAL, Hugo von.
Die Aegyptische Helena. Oper in zwei Aufzügen.
[Leipzig, Mainzer Presse for Insel-Verlag, 1928.]
First edition of Hofmannsthal’s text for Richard Strauss’s opera – Hofmannsthal himself considered it to be his finest libretto. The opera was first performed on 6 June 1928 in Dresden, five weeks before Hofmannsthal’s death. The plot is a free adaptation of Euripides’ Helena, which introduces...
SCHUBERT, Franz, composer.
A fine contemporary volume of ten works containing 18 Lieder including his most famous early songs ‘Erlkönig’...
A rare collection of Schubert Lieder in a contemporary binding, apparently as retailed by the Czech music publisher Berra, including three first editions.
[GOETHE.] REICHARDT, Johann Friedrich.
Goethe’s Lieder, Oden, Balladen und Romanzen mit Musik von J. F. Reichardt. Erste [ -...
Leipzig, Breitkopf & Härtel, [1809-11].
Very rare first complete edition of Reichardt’s musical settings of Goethe’s poetry, comprising 128 settings of which 39 appear here for the first time.
L’art, ou les principes philosophiques du chant. IIe edition, corrigée et augmentée.
Paris, Augustin-Martin Lottin, Michel Lambert and Nicolas-Bonaventure Duchesne, 1756.
First edition. The designation ‘IIe edition, corrigée et augmentée’ on the title arises from the publication in 1755 of L’art du chant, dedié a Madame de Pompadour by Jean-Antoine Bérard, whom Blanchet accuses of incorporating his material. The two works certainly include many passages which...
GROSSI, G. B. Gennaro.
Le Belle Arti.
Naples, dalla tipografia del Giornale Enciclopedico, 1820.
First edition in book form, reprinted from the Giornale Enciclopedico di Napoli, with some additional material in an appendix to the second volume. The first volume is on the music and musicians of Naples, the second volume deals with Neapolitan painters up to the eighteenth century.
SPRÜNGLI, Johann Jacob, editor.
Männergesänge von Freunden der Tonkunst gesammelt, dem Liederkranze zu Franfurt a. M. in Liebe...
Zürich, gedruckt bei J. J. Ulrich, im Verlage des Herausgebers, 1840.
First edition, the partbook issue. The work was also issued in score. Both are very rare, OCLC locating a copy of the 1st Bass part at Pittsburgh Theological Seminary, and a set at the Swiss National Library. There are apparently no copies in Germany: KVK shows the British Library copy (in score)...
Manuscript commonplace book of poems, songs, prayers, and letters.
An appealing commonplace book of verses and songs, with occasional prayers and letters, mostly written by George Moore (1794–1854), a London soda water manufacturer and amateur poet who was murdered by the notorious French revolutionary Emmanuel Barthélemy (1823–1855).
A Musical Dictionary; being a Collection of Terms and Characters, as well ancient as modern; including the historical,...
… London: Printed for J. Wilcox … 1740.
First edition, based largely on the Dictionnaire de Musique of Sébastien de Brossard and the musical articles in Chambers’s Cyclopaedia, with some original material. One of two variant issues, this has ‘A’ on the title-page above the ‘i’ in ‘Dictionary’.
[GLUCK, Christoph Willibald.]
Paride ed Elena. Dramma per musica . . . dedicato a sua altezza, il Signor Duca Don Giovanni di Braganza.
Vienna, Johann Thomas von Trattner, 1770.
First edition of Gluck’s Paride ed Elena, which tells the story of events between the judgment of Paris and the flight of Paris and Helen to Troy. It was premiered at the Burgtheater in Vienna on 3 November 1770.
BYRD, William, John BULL and Orlando GIBBONS.
Parthenia or the maydenhead of the first musicke that ever was printed for the virginalls.
[London, Chiswick Press for W. Heffer & Sons, Cambridge, 1943.]
Facsimile reprint of the original edition of c. 1612/13, handsomely bound by Zaehnsdorf. At the end is a short introduction to the work by the great Austrian musicologist and bibliographer Otto Erich Deutsch.
VERHEYEN, Pierre Emmanuel.
Requiem mass in C minor.
[Flanders, c. 1810.]
A very grand unpublished Requiem mass by the Flemish composer and singer Pierre Emmanuel Verheyen (1750–1819). Although not so indicated, this must be the Requiem mass dedicated to Haydn which Verheyen, a devoted follower, is known to have written following Haydn’s death in 1809 and which was first...
Symphonie No. 3, componirt und Ihrer Majestät der Königin Victoria von England zugeeignet … Partitur,...
Leipzig, Breitkopf & Härtel, .
First edition of Mendelssohn’s ‘Scottish’ Symphony. It was first conceived when Mendelssohn visited Scotland during 1829, but the composer only began work in earnest ten years later.
Toccate d’intavolatura di cimbalo et organo partite di diverse arie e corrente, balletti, ciaccone, passachagli...
Rome, Nicolò Borbone, 1637.
Fifth edition of Frescobaldi’s superbly engraved first book of toccatas, with the substantial aggiunta containing the last keyboard works published during the composer’s lifetime.
GOUNOD, Charles François.
A volume of ten songs bound together, all signed and inscribed by Gounod to Arthur Cecil Blunt (1832–96).
A specially bound volume containing ten of Gounod’s London-published songs, all signed and inscribed in pencil on the upper wrapper to the English actor Arthur Cecil Blunt (stage name Arthur Cecil, 1843–1896): ‘To my friend Arthur C. Blunt. Ch, Gounod’. The songs, of which eight are in English,...
Zoroastre, tragedie, mise en musique par M. Rameau, représentée pour la premiere fois par l’Académie...
Paris, Boivin, Leclair, Castagneri and the author, [c. 1750].
First edition; rare. Despite a strong cast and a lavish production, Zoroastre met with only limited success (and, it seems, much bewilderment) when first performed at the Opéra in 1749. By May 1752 Rameau and the librettist Louis de Cahusac had begun an extensive reworking of the opera. This version...